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The clothing and textile history of Vietnam reflects the culture and tradition that has been developed since the ancient Bronze Age wherein people of diverse cultures were living in Vietnam, the long influence of the Chinese and their associated cultural influence, as well as the short-lived French colonial rule.
Vietnamese designers created áo dài for the contestants in the Miss Universe beauty contest, which was held July 2008 in Nha Trang, Vietnam. [34] The most prominent annual Ao Dai Festival outside of Vietnam is held each year in San Jose, California, a city that is home to a large Vietnamese American community. [ 35 ]
Khăn vấn is a rectangular textile that is long and quite thick, wrapped tightly around the head. According to the decrees of Nguyễn dynasty written in the Historical chronicle of Đại Nam, the Vietnamese initially remained faithful to the Champa style, but gradually adapted styles to suit needs for each social class.
In the 20th century, the industry had expanded to such a degree that such educational institutions as UC Davis established a Division of Textiles and Clothing, [95] The University of Nebraska-Lincoln also created a Department of Textiles, Clothing and Design that offers a Masters of Arts in Textile History, [96] and Iowa State University ...
The áo gấm (Vietnamese: [ʔǎːw ɣə̌m], Hán-Nôm: 襖錦) is a modified áo dài made with thicker fabric, and is a traditional brocade tunic for men. [1] It is more elaborate than the formal "áo the", a similar men's tunic.
Pages in category "Textile arts of Vietnam" This category contains only the following page. This list may not reflect recent changes. V. Vietnamese embroidery
One of the most notorious of South Vietnam's Hoa compradore bourgeoisie was a businessman and investor by the name of Ly Long Than, who reportedly held a diverse portfolio of business assets ranging from 18 major commercial and industrial manufacturing establishments (Vinatexco and Vinafilco textile factories, Vinatefinco dye-works, Vicasa ...
Textile History is a peer-reviewed academic journal first published in 1968 and published by Maney Publishing on behalf of the Pasold Research Fund. [1] It covers "aspects of the cultural and social history of apparel and textiles, as well as issues arising from the exhibition, preservation and interpretation of historic textiles or clothing".