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Alexander Cozens (1717–1786) was a British landscape painter in watercolours, born in Russia, in Saint Petersburg. He taught drawing and wrote treatises on the subject, evolving a method in which imaginative drawings of landscapes could be worked up from abstract blots on paper. His son was the artist John Robert Cozens.
Landscape with a Tree on the Right 1828 Tate Britain, London: 27.9 x 41.6 Outline of a Venus Pudica 1828 Tate Britain, London: 135.6 x 98.1 Italian Landscape, probably Civita di Bagnoregio 1828 Tate Britain, London: 149.9 x 249.6 Landscape with Trees and a Castle 1828 Tate Britain, London: 41.6 x 60 Southern Landscape with an Aqueduct and ...
Willy Lott's House (recto); Landscape Sketches with Trees and Church Tower (verso) c.1812–13 (recto); c.1811–13 Clark Art Institute: Flailing Turnip-heads, East Bergholt: 1812-15 Clark Art Institute: East Bergholt Common, View Toward the Rectory: 1813 Clark Art Institute: Hadleigh Castle: 1829 Tate: Die Valley Farm: 1835 Tate: The Lock ...
Landscape with scene from the Odyssey, Rome, c. 60–40 BCE. Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape ...
Signed with a monogram cut into the tree on the left: Landscape with a Footbridge [5] c. 1518 – c. 1520 [5] oil on vellum on wood [5] 41.2 × 35.5 cm [5] National Gallery, London [5] Inventory number: NG6320. [5] Signed with a monogram in the upper-right corner: Landscape with a Spruce [6] Landscape with Woodcutter [7] c. 1522 [6] [7]
Image Details Infernal Landscape. Type: Pen and brown ink Size: 25.9 x 19.7 cm Location: Private Collection Infernal Landscape previously thought to have been made by an assistant in the workshop of medieval Dutch artist Hieronymus Bosch has been authenticated as a piece by the master himself by the Bosch Research and Conservation Project (BRCP).
The findings, published in a series of articles in Current Archaeology, come from one of the largest ancient DNA projects in Europe involving 460 people who were buried in graves between 200AD and ...
Nilotic landscapes are filled with abundant plant and animal life. Blue and green pigments often dominate the scene. The papyrus plant and palm trees are the most recognizable botanic features of a nilotic landscape, along with other plants, often carefully depicted and identifiable. Various animals are represented and vary depending on the ...