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This image might not be in the public domain outside of the United States; this especially applies in the countries and areas that do not apply the rule of the shorter term for US works, such as Canada, Mainland China (not Hong Kong or Macao), Germany, Mexico, and Switzerland.
Freedom from Want, also known as The Thanksgiving Picture or I'll Be Home for Christmas, is the third of the Four Freedoms series of four oil paintings by American artist Norman Rockwell. The works were inspired by United States President Franklin D. Roosevelt 's 1941 State of the Union Address , known as Four Freedoms .
This is one of the largest collections of public domain images online (clip art and photos), and the fastest-loading. Maintainer vets all images and promptly answers email inquiries. Open Clip Art – This project is an archive of public domain clip art. The clip art is stored in the W3C scalable vector graphics (SVG) format.
Images of temples, especially of the Salt Lake Temple, are commonly used in Church of Jesus Christ of Latter-day Saints media as symbols of the faith. Additionally, church leaders have encouraged members to hang pictures of temples on the walls of their homes, [ 2 ] [ 3 ] [ 4 ] and it has become a common cultural phenomenon described even in ...
A food decoration for Erntedankfest, a Christian Thanksgiving harvest festival celebrated in Germany. The Harvest Thanksgiving Festival, Erntedankfest, is a popular Christian festival in some German municipalities on the first Sunday of October. The festival has a significant religious component, and many churches are decorated with autumn crops.
A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.
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The Coexist image created by Piotr Młodożeniec. The Coexist image (often styled as "CoeXisT" or "COEXIST") is an image created by Polish, Warsaw-based graphic designer Piotr Młodożeniec [] in 2000 as an entry in an international art competition sponsored by the Museum on the Seam for Dialogue, Understanding and Coexistence.