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However, many modern Japanese houses have only one washitsu, which is sometimes used for entertaining guests, and most other rooms are Western-style. Many new construction Japanese apartments have no washitsu at all, instead using linoleum or hardwood floors. The size of a washitsu is measured by the number of tatami mats, using the counter ...
A tokonoma with a kakemono and ikebana flower arrangement Detailed view of a tokonoma and aspects of a Japanese room View from the side of a tokonoma Tokonoma at Tenryū-ji. A tokonoma (床の間), [1] or simply toko (床), [2] [3] is a recessed space in a Japanese-style reception room, in which items for artistic appreciation are displayed.
This is an important aspect to Japanese design. Paper translucent walls allow light to be diffused through the space and create light shadows and patterns. Tatami mats are rice straw floor mats often used to cover the floor in Japan's interiors; in modern Japanese houses there are usually only one or two tatami rooms.
In Japanese architecture, fusuma are vertical rectangular panels which can slide from side to side to redefine spaces within a room, or act as doors. [1] They typically measure about 90 cm (2 ft 11 in) wide by 180 cm (5 ft 11 in) tall, the same size as a tatami mat, and are 2–3 cm (0.79–1.18 in) thick.
Additionally, advertisements quote the sizes of the rooms—most importantly, the living room—with measurements in tatami mats (jō (畳) in Japanese), traditional mats woven from rice straw that are standard sizes: 176 by 88 cm (69 by 35 in) in the Tokyo region and 191 cm by 95.5 cm in western Japan. "2DK; one six-tatami Japanese-style room ...
Shoin-zukuri (Japanese: 書院造, 'study room architecture') is a style of Japanese architecture developed in the Muromachi, Azuchi–Momoyama and Edo periods that forms the basis of today's traditional-style Japanese houses.
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In modern interpretations of traditional Japanese arts and culture, ma is an artistic interpretation of an empty space, often holding as much importance as the rest of an artwork and focusing the viewer on the intention of negative space in an art piece. The concept of space as a positive entity is opposed to the absence of such a principle in ...
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