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Laban movement analysis (LMA), sometimes Laban/Bartenieff movement analysis, is a method and language for describing, visualizing, interpreting and documenting human movement. It is based on the original work of Rudolf Laban , which was developed and extended by Lisa Ullmann , Irmgard Bartenieff , Warren Lamb and others.
"A line dance is made up of a number of movements called steps.Each step is given a name so teachers can tell dancers to perform this step when teaching a dance. The most well known is the grapevine (or vine for short), a four-count movement to the side."
The latter definition is unambiguous, but in other contexts it is only applicable to a single footstep. For example, according to this definition, chaînés turns are alternating inside and outside turns, although the direction of the rotation is the same. Therefore, it is common to name the turning figure according to the direction of the ...
Limits of Stability (LoS) is a significant variable in assessing stability and voluntary motor control [6] in dynamic states. [7] It provides valuable information by tracking the instantaneous change in the center of mass (COM) velocity and position. [ 7 ]
Rudolf Laban presenting his notation system, circa 1929 Dance workshop based on Laban's notation system, circa 1929. Labanotation (grammatically correct form "Labannotation" or "Laban notation" is uncommon) is a system for analyzing and recording human movement (notation system), invented by Austro-Hungarian choreographer and dancer Rudolf von Laban (1879-1958, a central figure in European ...
A basic figure is the very basic step that defines the character of a dance. Often it is called just thus: "basic movement", "basic step" or the like. For some dances it is sufficient to know the basic step performed in different handhold [broken anchor] s and dance positions [broken anchor] to enjoy it socially.
Turnout refers to completing movements with legs rotated outward; this promotes clean footwork, graceful port de bras (movement of the arms), and correct body positions, lines and angles. Other aspects of ballet technique include posture, toe pointing, keeping shoulders down, and pulling up, which combines proper posture and lifting of the ...
Traditionally, the male dance partner is the leader and the female dance partner is the follower, though this is not always the case, such as in Schottische danced in the Madrid style where women lead and men follow (although this is not totally true: during the dance there is an exchange of roles, the leader becomes the follower and vice versa [3]).