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Dirty words for body parts (p*ssy, c*ck, d*ck, t*ts, etc.) are also worth discussing; there’s nothing inherently wrong with any of them, but some people have strong reactions to one over another ...
So there's no real consistent standard. It's not a science. It's a notion that they have and it's superstitious. These words have no power. We give them this power by refusing to be free and easy with them. We give them great power over us. They really, in themselves, have no power. It's the thrust of the sentence that makes them either good or ...
For the concert and tenor ukuleles, both reentrant and linear C 6 tunings are standard; linear tuning in particular is widely used for the tenor ukulele, more so than for the soprano and concert instruments. The baritone ukulele usually uses linear G 6 tuning: D 3 –G 3 –B 3 –E 4, the same as the highest four strings of a standard 6-string ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
List of musical chords Name Chord on C Sound # of p.c.-Forte # p.c. #s Quality Augmented chord: Play ... So What chord: Play ...
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
The other three notes (the second, fourth, and sixth) can be added in any combination; however, just as with the triads and seventh chords, notes are most commonly stacked – a seventh implies that there is a fifth and a third and a root. In practice, especially in jazz, certain notes can be omitted without changing the quality of the chord ...
In jazz chords and theory, most triads that appear in lead sheets or fake books can have sevenths added to them, using the performer's discretion and ear. [1] For example, if a tune is in the key of C, if there is a G chord, the chord-playing performer usually voices this chord as G 7 .