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The Shelters of Stone is a historical fiction novel by Jean M. Auel published in April 2002. It is the sequel to The Plains of Passage – published 12 years earlier – and fifth in the Earth's Children series.
The Shelters of Stone - Publieksprijs voor het Nederlandse Boek Nominee (2002) Despite the above, the Earth's Children series was the nineteenth most banned and challenged book in the United States between 1990 and 1999.
Jean Marie Auel (/ aʊ l /; née Untinen; born February 18, 1936) is an American writer who wrote the Earth's Children books, a series of novels set in prehistoric Europe that explores human activities during this time, and touches on the interactions of Cro-Magnon people with Neanderthals. Her books have sold more than 45 million copies worldwide.
Conchake, (Cong-sha-keh), another name for the town, has been preserved in the name of the town of Coshocton, Ohio, and comes from Lenape Koshaxkink, 'where there is a river crossing.' The word also refers to a location or river of refuge, or a road or path to refuge.
Earth's Children is a series of historical fiction novels written by Jean M. Auel. The series is set in Europe during the Upper Paleolithic era, after the date of the first ceramics discovered, but before the last advance of glaciers. The books focus on the period of co-existence between Cro-Magnons and Neanderthals.
Jondalar of the Zelandonii is the male main character of Jean Auel's Earth's Children speculative historical fiction series set in the Late Stone Age of Europe. He has long pale blond hair which he usually pulls back in a ponytail (called a "club" by his people), vivid blue eyes, is six feet six inches tall, and is described as extremely handsome and skillful in many ways.
A white nationalist activist in Springfield, Ohio, took credit for the false story that Haitian immigrants in the city were stealing and eating pets, repeated by Trump at a rally in September.
Entertainment Weekly also claims "Auel's main strength is melodrama that has been enlisted in the service of a serious, improving message that a lot of people want to receive. In Auel's case the didactic component is a postfeminist allegory that validates Woman's new place in society, with one foot in the (hunting/ gathering) workplace and the ...