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Color motion picture film refers both to unexposed color photographic film in a format suitable for use in a motion picture camera, and to finished motion picture film, ready for use in a projector, which bears images in color.
The birth of Technicolor in 1915 is remembered as a decisive event in the history of coloured films. Founded by Herbert Kalmus, it introduced film-makers to the two-colour subtractive process, where two negatives capturing red and green lights were placed back to back.
Technicolor produced their first color film, The Gulf Inbetween (1917), with their two-color method. The introduction of sound in 1927 posed problems, but by 1932, Technicolor perfected its three-color process that didn’t affect sound recording.
History of film - Color, Cinematography, Movies: Photographic color entered the cinema at approximately the same time as sound, although, as with sound, various color effects had been used in films since the invention of the medium.
More than 230 film color processes have been devised in the course of film history, often in close connection with photography. In this regard, both media institutionalized numerous techniques such as hand and stencil coloring as well as printing and halftone processes.
The history of color in film is a story of technological innovation, artistic exploration, and the gradual evolution of cinema. While modern audiences are accustomed to vibrant color in films, this evolution was a long process marked by experiments and technical breakthroughs.
What Was the First Movie in Color? The first full-length feature film shot entirely in color was Becky Sharp, which was released in 1935. Directed by Rouben Mamoulian, this film marked a significant milestone in cinematic history, as it used the early three-color Technicolor process.
Film - Color, Black & White: A practical, accurate commercial system of colour cinematography was not perfected until Technicolor was introduced in Walt Disney’s animated short Flowers and Trees (1932) and in the feature film Becky Sharp (1935).
One of the biggest misconceptions about cinematic history is that color was first introduced to movies around the 1930s. While this is true for specific color processes, filmmakers were attempting to incorporate color into their films as early as the first few decades of motion pictures.
Probably the most important fact to remember is that, though early on, most movies were shot on black-and-white film stock, it was always possible to manipulate that celluloid to create color; color film has been around almost as long as moving pictures.