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"Progress of the American Woman" from the North American Review, Elizabeth Cady Stanton (1900) [78] "Votes for Women", Mark Twain (1901) [79] Woman, Kate Austin (1901) [80] "Declaration of Principles", by the National American Woman Suffrage Association (1904) [81] The House of Mirth, Edith Wharton (1905) Herland, Charlotte Perkins Gilman (1909 ...
Pauline Elizabeth Hopkins (May 23, 1859 – August 13, 1930) was an American novelist, journalist, playwright, historian, and editor.She is considered a pioneer in her use of the romantic novel to explore social and racial themes, as demonstrated in her first major novel Contending Forces: A Romance Illustrative of Negro Life North and South.
Western women writers have long been a marginalized group. 1979 was the first year an anthology on western American women writers was published. [11] The Western Literature Association was founded in the 1960's to foster the work of contemporary women writers. [ 11 ]
Bessie Coleman was the first African-American woman and first Black person in general to receive a pilot's license. Because of gender and racial discrimination, she learned French and went to ...
Tomorrow Is Another Day: The Woman Writer in the South, 1859-1936, 1981. MacDonald, Edgar and Tonette Blond Inge. Ellen Glasgow: A Reference Guide (1897–1981), 1986. Mathews, Pamela R. Ellen Glasgow and a Woman's Traditions, 1994. McDowell, Frederick P. W. Ellen Glasgow and the Ironic Art of Fiction. Madison: University of Wisconsin Press, 1960.
"Progress of the American Woman" from the North American Review, Elizabeth Cady Stanton (1900) [133] A Bundle of Fallacies, Dora Montefiore (1901) [134] Die Frauenfrage ihre geschichtliche Entwicklung und wirtschaftliche Seite, Lily Braun (1901) [135] "Votes for Women", Mark Twain (1901) [136] Woman, Kate Austin (1901) [137]
Olsen's non-fiction volume, titled Silences, was an analysis of authors' silent periods in literature, including writer's blocks, unpublished work, and the problems that working-class writers, and women in particular, have in finding the time to concentrate on their art, and the second part of the book was a study of the work of Davis.
Mothers of the Novel is divided into three parts. Part I treats a series of seventeenth-century women writers, only some of whom would have been familiar to most readers in 1986: Aphra Behn (1640–1689), Margaret Cavendish (1623–1673), Anne Clifford (1590–1676), Anne Fanshawe (1625–1680), Eliza Haywood (1693–1756), [1] Lucy Hutchinson (1618–1681), Delarivière Manley (1663 –1724 ...