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"Love Her Madly" is a song by American rock band the Doors. It was released in March 1971 and was the first single from L.A. Woman, their final album with singer Jim Morrison. "Love Her Madly" became one of the highest-charting hits for the Doors; it peaked at number eleven on the Billboard Hot 100 singles chart and reached number three in Canada.
L.A. Woman is the sixth studio album by the American rock band the Doors, released on April 19, 1971, by Elektra Records.It is the last to feature lead singer Jim Morrison during his lifetime, due to his death exactly two months and two weeks following the album's release, though he would posthumously appear on the 1978 album An American Prayer.
"L.A. Woman" is a song by the American rock band the Doors. The song is the title track of their 1971 album L.A. Woman , the final album to feature Jim Morrison before his death on July 3, 1971. In 2014, LA Weekly named it the all-time best song written about the city of Los Angeles.
Denouncing "Love Her Madly" as "cocktail lounge music", he quit and handed the production to Bruce Botnick and the Doors. [ 96 ] The title track and two singles (" Love Her Madly " and " Riders on the Storm ") remain mainstays of rock radio programming, [ 120 ] with the latter being inducted into the Grammy Hall of Fame for its special ...
"People Are Strange" is a song by the American rock band the Doors. It appears on the band's second studio album, Strange Days, released in September 1967.The song was written by the Doors' vocalist Jim Morrison and guitarist Robby Krieger, although all of the band are credited on the sleeve notes.
"Love Me Two Times" is a song by the American rock band the Doors. First appearing on their second studio album Strange Days, it was later edited to a 2:37 length and released as the second single (after "People Are Strange") from that album. The single reached number 25 on the charts in the United States. [1]
"Roadhouse Blues" is a song by the American rock band the Doors from their 1970 album Morrison Hotel. It was released as the B-side of "You Make Me Real", which peaked at No. 50 on the U.S. Billboard Hot 100 [5] and No. 41 in Canada. [6] "
Rolling Stone magazine quoted Doors member John Densmore as saying, "playing that song was intense. I had to take a deep breath before playing it, because it’s not a little three-minute pop ditty." [5] The final album version was recorded in 1967. Jim Morrison wanted the song to be recorded live in the studio without overdubs.