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Fluxus 1, 1964.This copy in the Archiv Sohm, Staatsgalerie Stuttgart. Fluxus 1 is an artists' book edited and produced by the Lithuanian-American artist George Maciunas, containing works by a series of artists associated with Fluxus, the international collective of avant-garde artists primarily active in the 1960s and 1970s.
Fluxus Manifesto, 1963, by George Maciunas Poster to Festum Fluxorum Fluxus 1963.. Fluxus was an international, interdisciplinary community of artists, composers, designers, and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product.
Poster to Festum Fluxorum Fluxus 1963. George Maciunas (English: / m ə ˈ tʃ uː n ə s /; Lithuanian: Jurgis Mačiūnas; November 8, 1931 Kaunas – May 9, 1978 Boston, Massachusetts) was a Lithuanian American artist, art historian, and art organizer who was the founding member and central coordinator of Fluxus, [1] an international community of artists, architects, composers, and designers.
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Although it can be argued [1] that An Anthology is not strictly a Fluxus publication, its development and production were central events in the formation of Fluxus. It marked the first collaborative publication project between people who were to become part of Fluxus: Young (editor and co-publisher), Mac Low (co-publisher) and Maciunas (designer).
Alfred Earl "Al" Hansen (5 October 1927 – 20 June 1995) [1] was an American artist. He was a member of Fluxus, a movement that originated on an artists' collective around George Maciunas. He was the father of Andy Warhol protégé Bibbe Hansen [2] and the grandfather and artistic mentor of rock musician Beck and artist Channing Hansen. Bibbe ...
Dick Higgins (15 March 1938 – 25 October 1998) was an American artist, composer, art theorist, poet, publisher, printmaker, and a co-founder of the Fluxus international artistic movement (and community). [1] Inspired by John Cage, Higgins was an early pioneer of electronic correspondence. [2]
Many of Miller's original compositions have become part of the Fluxus collective's standard repertoire of works. Miller has become a frequent interpreter of "classic" Fluxus scores and is credited with enlarging the group's works to a wider audience, often straddling the boundaries between research, art, and producer.