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Magical realism has a complicated place in the stories Latine people tell about themselves and to others.
[2]: 16–18 After Flores's essay, there was a resurgence of interest in marvelous realism, which, after the Cuban revolution of 1959, led to the term magical realism being applied to a new type of literature known for matter-of-fact portrayal of magical events. [2]: 18 Literary magic realism originated in Latin America.
Magical realism: A literary style and movement in which magical elements appear in otherwise realistic circumstances. Most often associated with the Latin American literary boom of the 20th century [50] Gabriel García Márquez, Octavio Paz, Günter Grass, Julio Cortázar, Sadegh Hedayat, Nina Sadur, Mo Yan, Olga Tokarczuk: Neo-Romanticism
Some writers felt the success of the Boom to be a burden, and spiritedly denounced the caricature that reduces Latin American literature to magical realism. Hence the Chilean Alberto Fuguet coined McOndo as an antidote to the Macondo-ism that demanded of aspiring writers that they set their tales in steamy tropical jungles in which the ...
Critics primarily consider Pedro Páramo as either a work of magic realism or a precursor to later works of magic realism; this is the standard Latin American interpretation. [10] [3] [11] However, magical realism is a term coined to note the juxtaposition of the surreal to the mundane, with each bearing traits of the other. It is a means of ...
One Hundred Years of Solitude (Spanish: Cien años de soledad, Latin American Spanish: [sjen ˈaɲos ðe soleˈðað]) is a 1967 novel by Colombian author Gabriel García Márquez that tells the multi-generational story of the Buendía family, whose patriarch, José Arcadio Buendía, founded the fictitious town of Macondo.
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The Latin American Boom (Spanish: Boom latinoamericano) was a literary movement of the 1960s and 1970s when the work of a group of relatively young Latin American novelists became widely circulated in Europe and throughout the world.