enow.com Web Search

Search results

1. Results from the WOW.Com Content Network

2. High-Efficiency Advanced Audio Coding - Wikipedia

   en.wikipedia.org/wiki/High-Efficiency_Advanced...

   Evolution from MPEG-2 AAC-LC (Low Complexity) Profile and MPEG-4 AAC-LC Object Type to HE-AAC v2 Profile. [2] High-Efficiency Advanced Audio Coding (HE-AAC) is an audio coding format for lossy data compression of digital audio defined as an MPEG-4 Audio profile in ISO / IEC 14496–3. It is an extension of Low Complexity AAC (AAC-LC) optimized ...

3. Comparison of audio coding formats - Wikipedia

   en.wikipedia.org/wiki/Comparison_of_audio_coding...

   Conifer Software 1998 5.7.0 (2024-02-29) Free WavPack, [40] FFmpeg: Music archival Yes No Yes No No Windows Media Audio: Microsoft: 1999 11.0 Free for consumer licensees of the Windows operating system [citation needed] Free for licensees of the Windows operating system [41] Windows Media Player, Windows Media Encoder: FFmpeg (decoding only for ...

4. Advanced Audio Coding - Wikipedia

   en.wikipedia.org/wiki/Advanced_Audio_Coding

   Advanced Audio Coding is designed to be the successor of the MPEG-1 Audio Layer 3, known as MP3 format, which was specified by ISO / IEC in 11172-3 (MPEG-1 Audio) and 13818-3 (MPEG-2 Audio). Improvements include: more sample rates (from 8 to 96 kHz) than MP3 (16 to 48 kHz); up to 48 channels (MP3 supports up to two channels in MPEG-1 mode and ...

5. Windows Media Audio - Wikipedia

   en.wikipedia.org/wiki/Windows_Media_Audio

   Screenshot of Windows Media Encoder 9 Series, displaying new encoding options for Windows Media Audio 10 Professional. Windows Media Audio Professional (WMA Pro) is an improved lossy codec closely related to WMA standards. It retains most of the same general coding features, but also features improved entropy coding and quantization strategies ...

6. Opus (audio format) - Wikipedia

   en.wikipedia.org/wiki/Opus_(audio_format)

   Possible bitrate and latency combinations compared with other audio formats. Opus supports constant and variable bitrate encoding from 6 kbit/s to 510 kbit/s (or up to 256 kbit/s per channel for multi-channel tracks), frame sizes from 2.5 ms to 60 ms, and five sampling rates from 8 kHz (with 4 kHz bandwidth) to 48 kHz (with 20 kHz bandwidth, the human hearing range).

7. List of audio conversion software - Wikipedia

   en.wikipedia.org/wiki/List_of_audio_conversion...

   An audio conversion app (also known as an audio converter) transcodes one audio file format into another; for example, from FLAC into MP3. It may allow selection of encoding parameters for each of the output file to optimize its quality and size.

8. Audio bit depth - Wikipedia

   en.wikipedia.org/wiki/Audio_bit_depth

   24-bit and 32-bit audio does not require dithering, as the noise level of the digital converter is always louder than the required level of any dither that might be applied. 24-bit audio could theoretically encode 144 dB of dynamic range, and 32-bit audio can achieve 192 dB, but this is almost impossible to achieve in the real world, as even ...

9. Vorbis - Wikipedia

   en.wikipedia.org/wiki/Vorbis

   Vorbis is a free and open-source software project headed by the Xiph.Org Foundation. The project produces an audio coding format and software reference encoder/decoder (codec) for lossy audio compression, libvorbis. [10] Vorbis is most commonly used in conjunction with the Ogg container format [11] and it is therefore often referred to as Ogg ...