enow.com Web Search

Search results

1. Results from the WOW.Com Content Network

2. Comparison of audio coding formats - Wikipedia

   en.wikipedia.org/wiki/Comparison_of_audio_coding...

   For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint. First public release date is first of either specification publishing or source releasing, or in the case of closed-specification, closed-source codecs ...

3. Advanced Audio Coding - Wikipedia

   en.wikipedia.org/wiki/Advanced_Audio_Coding

   Advanced Audio Coding is designed to be the successor of the MPEG-1 Audio Layer 3, known as MP3 format, which was specified by ISO / IEC in 11172-3 (MPEG-1 Audio) and 13818-3 (MPEG-2 Audio). Improvements include: more sample rates (from 8 to 96 kHz) than MP3 (16 to 48 kHz); up to 48 channels (MP3 supports up to two channels in MPEG-1 mode and ...

4. High-Efficiency Advanced Audio Coding - Wikipedia

   en.wikipedia.org/wiki/High-Efficiency_Advanced...

   Evolution from MPEG-2 AAC-LC (Low Complexity) Profile and MPEG-4 AAC-LC Object Type to HE-AAC v2 Profile. [2] High-Efficiency Advanced Audio Coding (HE-AAC) is an audio coding format for lossy data compression of digital audio defined as an MPEG-4 Audio profile in ISO / IEC 14496–3. It is an extension of Low Complexity AAC (AAC-LC) optimized ...

5. Vorbis - Wikipedia

   en.wikipedia.org/wiki/Vorbis

   Vorbis is a free and open-source software project headed by the Xiph.Org Foundation. The project produces an audio coding format and software reference encoder/decoder (codec) for lossy audio compression, libvorbis. [10] Vorbis is most commonly used in conjunction with the Ogg container format [11] and it is therefore often referred to as Ogg ...

6. Opus (audio format) - Wikipedia

   en.wikipedia.org/wiki/Opus_(audio_format)

   Possible bitrate and latency combinations compared with other audio formats. Opus supports constant and variable bitrate encoding from 6 kbit/s to 510 kbit/s (or up to 256 kbit/s per channel for multi-channel tracks), frame sizes from 2.5 ms to 60 ms, and five sampling rates from 8 kHz (with 4 kHz bandwidth) to 48 kHz (with 20 kHz bandwidth, the human hearing range).

7. Data-rate units - Wikipedia

   en.wikipedia.org/wiki/Data-rate_units

   The ISQ symbols for the bit and byte are bit and B, respectively.In the context of data-rate units, one byte consists of 8 bits, and is synonymous with the unit octet.The abbreviation bps is often used to mean bit/s, so that when a 1 Mbps connection is advertised, it usually means that the maximum achievable bandwidth is 1 Mbit/s (one million bits per second), which is 0.125 MB/s (megabyte per ...

8. ATRAC - Wikipedia

   en.wikipedia.org/wiki/ATRAC

   SonicStage version 3.4, released in February 2006, [14] introduced ripping CDs in bitrates 320 and 352. [15] The available bitrates are: 48, 64, 96, 128, 160, 192, 256, 320 and 352 kbit/s. The newer bitrates are not always compatible with all older hardware decoders, however, some of the older hardware has been found to be compatible with ...

9. MP3 - Wikipedia

   en.wikipedia.org/wiki/MP3

   The Moving Picture Experts Group (MPEG) designed MP3 as part of its MPEG-1, and later MPEG-2, standards.MPEG-1 Audio (MPEG-1 Part 3), which included MPEG-1 Audio Layer I, II, and III, was approved as a committee draft for an ISO/IEC standard in 1991, [14] [15] finalized in 1992, [16] and published in 1993 as ISO/IEC 11172-3:1993. [7]