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The quality the codec can achieve is heavily based on the compression format the codec uses. A codec is not a format, and there may be multiple codecs that implement the same compression specification – for example, MPEG-1 codecs typically do not achieve quality/size ratio comparable to codecs that implement the more modern H.264 specification.
This is a list of films with high frame rates. Only films with a native (without motion interpolation ) shooting and projection frame rate of 48 or higher, for all or some of its scenes , are included, as are films that received an official post-conversion using technologies such as TrueCut Motion.
While the terms "frame" and "picture" are often used interchangeably, the term picture is a more general notion, as a picture can be either a frame or a field. A frame is a complete image, and a field is the set of odd-numbered or even-numbered scan lines composing a partial image. For example, an HD 1080 picture has 1080 lines (rows) of pixels.
Frame rate up-conversion (FRC) is the process of increasing the temporal resolution of a video sequence by synthesizing one or more intermediate frames between two consecutive frames. A low frame rate causes aliasing, yields abrupt motion artifacts, and degrades the video quality. Consequently, the temporal resolution is an important factor ...
After the introduction of synch sound recording, 24 fps became the industry standard frame rate for capture and projection of motion pictures. [1] 24 fps was chosen because it was the minimum frame rate that would produce adequate sound quality. This was done because film was expensive, and using the lowest possible frame rate would use the ...
For a fixed bandwidth, interlace provides a video signal with twice the display refresh rate for a given line count (versus progressive scan video at a similar frame rate—for instance 1080i at 60 half-frames per second, vs. 1080p at 30 full frames per second). The higher refresh rate improves the appearance of an object in motion, because it ...
Variable frame rate (or VFR) is a term in video compression for a feature supported by some container formats which allows for the frame rate to change actively during video playback, or to drop the idea of frame rate completely and set an individual timecode for each frame. [1] [2] VFR is especially useful for creating videos of slideshow ...
As a byproduct of the perceived increase in frame rate, motion interpolation may introduce a "video" (versus "film") look. This look is commonly referred to as the "soap opera effect" ( SOE ), in reference to the distinctive appearance of most broadcast television soap operas or pre-2000s multicam sitcoms , which were typically shot using less ...
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