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It is usually a necklace with black beads strung from a black or yellow thread prepared with turmeric. Sometimes gold, white or red beads are also added to the mangala sutra, depending on regional variation. The necklace serves as a visual marker of marital status. [2] The tying of the mangala sutra is a common practice in India, Sri Lanka, and ...
Indian etched carnelian bead, Nilgiri culture, 1st millennium BCE Etched Carnelian beads of Indus valley origin have been excavated from various archaeological sites in China dating from Western Zhou and Spring and Autumn period (early half of 1st millennium BCE) to Han and Jin dynasties . [ 47 ]
The bead itself is very hard and dense, ivory-coloured (which gradually turns a deep golden brown with long use), and has small holes (moons) and tiny black dots (stars) covering its surface. Tibetan Buddhists also teach that certain types of malas can enhance specific practices or bring specific benefits. For example: [14] [12] [16]
Among the various Lumad peoples of Mindanao, particularly the inter-related Manobo groups, bali-og are bead necklaces composed chokers and necklaces fastened around the neck. A fringe of more beads and other ornaments (including copper or brass bells, amulets, and shells) are then attached to the lower edge of the chokers.
By 1500 BC, the peoples of the Indus Valley were creating gold earrings and necklaces, bead necklaces, and metallic bangles. [citation needed] Before 2100 BC, prior to the period when metals were widely used, the largest jewellery trade in the Indus Valley region was the bead trade. Beads in the Indus Valley were made using simple techniques.
These ornaments adorn the head, ear, neck, hands, fingers and waist of the dancer. The ornaments include a choker, padaka-tilaka (a long necklace), bahichudi or tayila (armlets), kankana (bracelets), a mekhalaa' (belt), anklets, bells, kapa (earrings) and a seenthi (ornament work on the hair and forehead). These ornaments are embellished with ...
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