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Apsley Pellatt in his book Curiosities of Glass Making was the first to use the term "millefiori", which appeared in the Oxford English Dictionary in 1849; prior to that, the beads were called mosaic beads. While the use of this technique long precedes the term "millefiori", it is now most frequently associated with Venetian glassware. [2] [3]
After the bead is slowly cooled, it is removed from the rod, resulting in a hole for eventual stringing as jewelry. Wedding cake beads known as Fiorato (decorated with glass overlays featuring roses, swirls and dots) and Venetian foil beads (with fusion of color, gold and silver foil) are two of the kinds of beads made using the lamp-work method.
Trencadís or pique assiette (a French term – "stolen from plate") is a mosaic made from pieces of broken pottery, china, glass, buttons, figurines, or jewelry which are cemented onto a base to create a new surface. Almost any form can be used as a base, and any combination of pieces can be applied, restricted only by the individual creator's ...
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Before Europeans brought glass beads to the southeast in the 16th century, pearls and Job's tears were popular materials for necklaces. Ear spools of stone, or sometimes wood overlaid with copper foil, were popular, and many have been found at Spiro Mounds from 1100 to 1400 CE. [34] European contact introduced glass beads and silversmithing ...
The glass sheets used for slumping could be produced of plain or multicoloured glass, or even formed of 'mosaic' pieces. The production of these objects later developed into the modern caneworking and millefiori techniques, but is noticeably different. Six primary patterns of 'mosaic' glass have been identified: [7]
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