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Persephone and Dionysos. Roman copy after a Greek original of the 4th–3rd century B.C. Marble. Hermitage.. In ancient Greek mythology and religion, Persephone (/ p ər ˈ s ɛ f ə n iː / pər-SEF-ə-nee; Greek: Περσεφόνη, romanized: Persephónē, classical pronunciation: [per.se.pʰó.nɛː]), also called Kore (/ ˈ k ɔːr iː / KOR-ee; Greek: Κόρη, romanized: Kórē, lit.
Victoria (or Nike) on a fresco from Pompeii, Neronian era. In ancient Roman religion Victoria was the deified personification of victory. She first appeared during the first Punic War, seemingly as a Romanised re-naming of Nike, the goddess of victory associated with Rome's Greek allies in the Greek mainland and in Magna Graecia.
In Etruscan mythology, Persipnei [pronunciation?] or Phersipnai (later Ferspnai) was the queen of the underworld and equivalent to the Greek goddess Persephone and Roman Proserpina. [1] Persipnei was the consort of the divine ruler of the underworld, Aita .
Proserpina (/ p r oʊ ˈ s ɜːr p ɪ n ə / proh-SUR-pih-nə; [1] Latin: [proːˈsɛrpɪna]) or Proserpine (/ ˈ p r ɒ s ər p aɪ n / PROSS-ər-pyne [1]) is an ancient Roman goddess whose iconography, functions and myths are virtually identical to those of Greek Persephone.
The relief is made of Pentelic marble, and it is 2,20 m. tall, 1,52 m. wide, and 15 cm thick. [4] It depicts the three most important figures of the Eleusianian Mysteries; the goddess of agriculture and abundance Demeter, her daughter Persephone queen of the Underworld and the Eleusinian hero Triptolemus, the son of Queen Metanira, [3] [4] in what appears to be a rite. [1]
Praxidice, goddess of judicial punishment and the exactor of vengeance, which were two closely allied concepts in the classical Greek world-view. Praxidice, according to the Orphic Hymn to Persephone, was an epithet of Persephone: "Praxidike, subterranean queen.
The poem is addressed to the goddess Proserpina, the Roman equivalent of Persephone, but laments the rise of Christianity for displacing the pagan goddess and her pantheon. [1] The epigraph at the beginning of the poem is the phrase Vicisti, Galilaee, Latin for "You have conquered, O Galilean", the supposed dying words of the Emperor Julian. [2]
Brimo-Hecate was worshipped at Pherae in Thessaly and has connections with Orphic religion, in which Persephone was prominent. [7] The Alexandra of Lycophron makes clear that when Hecuba is to be transformed into one of the hounds of the triple Hecate, Brimo is an epithet of the Thessalian goddess of the Underworld.