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Below is an alphabetical list of widely used and repeated proverbial phrases. If known, their origins are noted. A proverbial phrase or expression is a type of conventional saying similar to a proverb and transmitted by oral tradition.
Themes woven throughout Why Men Earn More are the importance of assessing trade-offs; that "the road to high pay is a toll road;" the "Pay Paradox" (that "pay is about the power we forfeit to get the power of pay"); and, since men earn more, and women have more balanced lives, that men have more to learn from women than women do from men. [5]
These are not merely catchy sayings. Even though some sources may identify a phrase as a catchphrase, this list is for those that meet the definition given in the lead section of the catchphrase article and are notable for their widespread use within the culture. This list is distinct from the list of political catchphrases.
The theory proposed by Goldberg is that social institutions that are characterised by male dominance may be explained by biological differences between men and women (sexual dimorphism), suggesting male dominance could be inevitable. Goldberg later refined articulation of the argument in Why Men Rule (1993). [1]
As The Myth of Male Power's title implies, Farrell challenges the belief that men have the power by challenging the definition of power. Farrell defines power as "control over one's life." He writes that, "In the past, neither sex had power; both sexes had roles: women's role was [to] raise children; men's role was [to] raise money." [2]
Perrault's French fairy tales, for example, were collected more than a century before the Grimms' and provide a more complex view of womanhood. But as the most popular, and the most riffed-on, the Grimms' are worth analyzing, especially because today's women writers are directly confronting the stifling brand of femininity they proliferated.
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One of Fonte's daughters claimed that Fonte finished The Worth of Women "the very day before her death in childbirth". [4] The Worth of Women was highly influenced by The Decameron, a work that Fonte often alludes to in the text. [5] Fonte's work also quotes directly and indirectly from both Petrarch's "Sonnet 263" and Orlando Furioso.