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Rembrandt Laughing is a c. 1628 oil on copper painting by the Dutch painter Rembrandt van Rijn. It is an elaborate study of a laughing face, a tronie , and, since it represents the painter himself, one of over 40 self-portraits by Rembrandt , probably the earliest elaborate one.
Rembrandt and workshop. Companion piece to 132b Portrait of Petronella Buys: 1635: Oil on panel: 78.8 x 65.3: Leiden Collection, New York: 132b: Rembrandt and workshop. Companion piece to 132a Portrait of a Man in a Slouched Hat and Bandoleer: 1635: Oil on canvas: 78.5 x 65.7: Kawamura Memorial DIC Museum of Art, Sakura: 133a: Rembrandt and/or ...
Rembrandt Harmenszoon van Rijn (/ ˈ r ɛ m b r æ n t, ˈ r ɛ m b r ɑː n t /; [2] Dutch: [ˈrɛmbrɑnt ˈɦɑrmə(n)ˌsoːɱ vɑn ˈrɛin] ⓘ; 15 July 1606 [1] – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman.
The Amsterdam studio of the prolific Dutch Golden Age painter Rembrandt included numerous younger pupils/assistants. Among his many pupils were: [1] [2] Beijeren, Leendert van (1619-1649) Bol, Ferdinand (1616-1680), Borssom, Anthonie van (1631-1677) Brouwer, Cornelis (d. 1681),
He was registered as a master of the young Rembrandt in 1620. While the subjects of van Swanenburg (mainly cityscapes and hell scenes) did not leave a noticeable mark on Rembrandt's work, Rembrandt's use of chiaroscuro and his interest in artificial lighting may have their roots in van Swanenburg's fiery hell scenes.
Self-portrait as Zeuxis Laughing is one of over 40 painted self-portraits by Rembrandt. [1] Painted around 1662 by the Dutch artist Rembrandt , it is now in the Wallraf-Richartz-Museum in Cologne. See also
Slaughtered Ox, 1655.Oil on panel. 95.5 x 68.8 cm. Louvre, Paris. Slaughtered Ox, also known as Flayed Ox, Side of Beef, or Carcass of Beef, is a 1655 oil on beech panel still life painting by Rembrandt.
Frans Hals' Laughing Cavalier (in the Wallace Collection) wears a slashed doublet, wide reticella lace collar and cuffs, and a broadbrimmed hat, 1624. Fashion in the period 1600–1650 in Western clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men ...