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On the left (towards the west) there is the chapel of Saint Joseph, Mary's husband, initially built as the tomb of two other female relatives of Baldwin II. [8] At the bottom of the staircase, on the eastern side of the church, there is the edicule that contains Mary's tomb. [8] There are also altars of the Greeks and Armenians in the east apse.
The House of the Virgin Mary (Turkish: Meryemana Evi or Meryem Ana Evi, "Mother Mary's House") is a Catholic shrine located on Mt. Koressos (Turkish: Bülbüldağı, "Mount Nightingale") in the vicinity of Ephesus, 7 kilometres (4.3 mi) from Selçuk in Turkey.
The Dormition tradition is associated with various places, most notably with Jerusalem, which contains Mary's Tomb and the Basilica of the Dormition, and Ephesus, which contains the House of the Virgin Mary, and also with Constantinople where the Cincture of the Theotokos was enshrined from the 5th through 14th centuries.
Twelfth-century façade of Mary's Tomb in the garden of Gethsemane, in Jerusalem. The Basilica of the Annunciation, in Nazareth. The Abbey of the Dormition, also known as Church of the Dormition of Our Lady on Mount Zion, in Jerusalem. The Church of the Tomb of the Virgin Mary in the garden of Gethsemane, in Jerusalem
It also refers to "the other Mary." An ambiguous usage copied from Matthew 27:61 and usually accepted to refer to Mary, the mother of James. [10] In Mark and Luke the women come to the tomb to anoint the body of Jesus. This is dropped from Matthew's version. Here they are described as coming simply to "see the tomb."
Five figures are shown accompanying the body of Christ, three of whom place Christ into the tomb: holding Christ's body is Nicodemus, the Jewish elder that secretly visited Jesus at night to learn about his teachings., [1] while the Virgin Mary with her distinctive blue robe is holding one of Christ's arms, and at his feet is Joseph of Arimathea.
The table below shows whether a scene was the subject of a feast-day in the Western church, and gives the contents of the cycles (described above and below) by: Giotto in the Scrovegni Chapel, a typical Book of hours, [5] the Hours of Catherine of Cleves, [6] the cycle of the "Master of the Louvre Life of the Virgin", [7] Ghirlandajo's Tornabuoni Chapel cycle, and the print cycles of Israhel ...
In art the subject could be covered in several different scenes, and the betrothal of Mary, with Joseph's blossoming rod, was often shown, despite its apocryphal origin. The wedding procession may also be shown, especially in the Early Medieval period. Giotto's famous fresco cycle in the Scrovegni Chapel (1303) covers the story in four scenes ...
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