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The Sociedad de Cuartetos de Madrid (Madrid Quartet Society), 1863–1894, was an organization that provided concert series with an educational approach. They attempted to save chamber music from fading into oblivion since Italian opera and Zarzuela dominated Spanish concert life.
Sociedad Argentina de Autores y Compositores de Música (SADAIC; Argentine Society of Music Authors and Composers) is the entity that gathers all musicians and authors of Argentina, and the Argentine performance rights organisation that keeps registry of musical works, and collects and distributes royalties on behalf of the artists.
The Société nationale de musique was an organisation in late 19th and early 20th century Paris, promoting French music and allowing rising composers to present their works in public. It was founded in the aftermath of France's defeat in the Franco-Prussian War of 1870–71 on a strong tide of nationalist feeling, and at first excluded all ...
In 1969, the first international organization which attempted to define Latin music was the Festival Mundial de la Canción Latina which included Spanish, Portuguese, French, and Italian-speaking countries across Latin America and Europe. [13] However, the event only lasted for two years.
Robertson–de Carbo, Carol Elizabeth. 1976. "Tayil as Category and Communication among the Argentine Mapuche: A Methodological Suggestion". Yearbook of the International Folk Music Council 8:35–42. Rosch, Eleanor. 1973. "Natural Categories". Cognitive Psychology 4, no. 3 (May): 328–350. Sakata, Lorraine. 1983.
In 1965, Edgar 'Yayo' Jofré formed a quartet called Los Jairas [1] in La Paz. With Bolivian folk music gaining popularity throughout the country, Jofré , along with Alfredo Dominguez , Ernesto Cavour Julio Godoy , and Gilbert Favre used traditional music in modified forms to appeal to urban-dwellers and Europeans.
A group opposed to affirmative action filed a lawsuit accusing McDonald's of not going far enough when it recently rolled back several diversity initiatives by continuing to maintain a program ...
She sang in the premieres of several operas, including Leborne's La Catalane (1907), Erlanger's La Sorcière (1912), and Massenet's Amadis (1922). Martyl joined the Red Cross as a nurse during the First World War, and served at the Battle of Verdun in 1916, where she was known as la fée de Verdun (the Fairy of Verdun), and at the Second Battle ...