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In the 1650s and '60s, as Amsterdam flourished as a hub of commerce and politics, Kalf perfected the pronk (display) still life to exhibit its prosperity. Using an arrangement of objects generally extremely similar to the ones in Still Life with a Chinese Porcelain Jar, depicted with a rich, velvety atmosphere and glistening light, Kalf captured his city's wealth for all to admire. [3]
Drinkware, beverageware (in other words, cups, jugs and ewers) is a general term for a vessel intended to contain beverages or liquid foods for drinking or consumption. [2] Beaker; Beer glassware; Bottle; Coffee cup; Cup; Dwarf ale glass; Heavy baluster glass; Jar; Mazagran; Mug; Pythagorean cup; Quaich. [3] Sake cup (ochoko) Stemware; Tazza ...
[4] Paul Cézanne, 1890-1894, Fruit and a Jug on a Table, oil on canvas, 32.4 x 40.6 cm, Museum of Fine Arts, Boston Paul Cézanne, c.1895, La vase paillé (Ginger Jar and Fruit), oil on canvas, 73 x 60 cm, Barnes Foundation, Pennsylvania. Fruit and a Jug on a Table represent a more naturalistic approach expressed by the artist after 1917 ...
The porcelain body is not very plastic but vessel forms have been made from it. Donnelly, (1969, pp.xi-xii) lists the following types of product: figures, boxes, vases and jars, cups and bowls, fishes, lamps, cup-stands, censers and flowerpots, animals, brush holders, wine and teapots, Buddhist and Taoist figures
The vase, part of Carlo Scarpa’s rare “Pennellate” series just sold for $107,100, including the buyer’s premium, at Wright auction house in New York. This $4 Thrift Store Vase Just Snagged ...
[4] Small 18th-century vase, with thinning glaze at top. For Chinese ceramics, some museums and books prefer the term "sang de boeuf", some "oxblood", in both cases with varying use of hyphens, and capitals and italics for "sang de boeuf". [5] The most common Chinese name for the glaze is lángyáohóng (郎窑红, "Lang kiln red"). [6]
The Hall China Company visitor entrance. Hall China was founded on August 14, 1903, by Robert Hall, in the former West, Hardwick and George Pottery facility, following the dissolution of the two-year-old East Liverpool Potteries Company.
While the forms generally seen are broad-shouldered jars, larger low jars or shallow smaller jars, highly decorated celadon cosmetic boxes, and small slip-inlaid cups, the Buddhist potteries also produced melon-shaped vases, chrysanthemum cups often of spectacularly architectural design on stands with lotus motifs and lotus flower heads.
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