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The Water of Life Discourse between Jesus and the Samaritan Woman at the Well by Angelika Kauffmann, 17th–18th century. The Samaritan woman at the well is a figure from the Gospel of John. John 4:4–42 relates her conversation with Jesus at Jacob's Well near the city of Sychar.
Christ and the Samaritan Woman at the Well is a painting in oils on canvas of 1796 by Angelica Kauffman, depicting the eponymous Gospel passage.It was bought from the artist's estate in 1829 by Louis I of Bavaria and remained in the House of Wittelsbach until it was transferred to the Wittelsbacher Ausgleichsfonds in 1926; it then passed to the State of Bavaria in 1938.
Christ and the Samaritan Woman (1593-1594) Christ and the Samaritan Woman or The Woman at the Well is a 1593-1594 oil on canvas painting by Annibale Carracci, painted as part of the same scheme as the Palazzo Sampieri frescoes. Several years later he also produced a much smaller autograph copy with variations, now in the Museum of Fine Arts ...
The in-depth account about Jesus and the Samaritan Woman at the Well is highly significant for understanding Jesus in several relationships: Samaritans, women, and sinners. By talking openly with this woman, Jesus crossed a number of barriers which normally would have separated a Jewish teacher from such a person as this woman of Samaria.
A woman leans eagerly forward in conversation with Jesus, in contrast to the typical portrayal of the time which showed the woman sitting passively listening to a monologue. [1] It is one of the few works by Gentileschi with a full landscape. [2] The disciples of Jesus can be seen in the background, walking out of the walled city. [3]
The debate over the color of Jesus’ skin is one of the oldest running arguments in religion. ... a Black woman. For Cleveland, changing the color of Jesus changed how she viewed the meaning of ...
Bruegel depicts the woman as one of the few graceful figures in the scene. She is rendered as an idealised form, atypical of Brugel's usual earthy and homely female figures; [3] though the basic layout of the composition is Netherlandish, "the austere composition and monumental figures are perhaps the most Italianate in all Bruegel's paintings". [4]
Baptism of Jesus; Miraculous catch of fish, more often found in Lives of apostles. Temptation of Christ, often divided into its three parts. Wedding at Cana, the first miracle recorded in the Gospels, and the only one at which Mary was present. The Samaritan woman at the well is occasionally depicted
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