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A report commissioned in 2012 by the London music organisation Sound Connections, working in partnership with UK Music, the UK government's Department for Culture, Media & Sport (DCMS) and the UK's Music Industries Association found access to a rehearsal space is an integral part of the career development of young musicians and music ensembles.
A 1980s home studio with a reel-to-reel tape recorder. Although there was some early bedroom production before the 1990s using hardware instruments and recording to tape, the rise of bedroom production is more often closely related to an increase in computing power and decrease in the cost of music technologies which allowed for DAWs to become more accessible towards the end of the 20th century.
Equipment found in a recording studio commonly includes: A professional-grade mixing console; Additional small mixing consoles for adding more channels (e.g., if a drum kit needs to be miked and all of the channels of the large console are in use, an additional 16 channel mixer would enable the engineers to mix the mics for the kit)
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Folk music, country music, and blues music have long histories of performances at people's homes and backyards. [7] Most people's only experience of music was house concerts: Listening to live music is something that used to be ubiquitous in our culture, before recorded music was widespread.
A black box theater is a simple performance space, typically a square room with black walls and a flat floor. The simplicity of the space allows it to be used to create a variety of configurations of stage and audience interaction. [1] The black box is a relatively recent innovation in theatre. [1]
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The first priority for sound design in a theater is speech. [16] [19] Speech has to be heard clearly, even if it is a soft whisper. The reverb is not needed in this case, it interrupts the words spoken by the actors. The intensity has to be increased, in order to enlarge the acoustic space, to cover the theater without disrupting the dynamic.
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