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This translation retains the original iambic verse by Sophocles. Antigona Furiosa, written in the period of 1985-86 by Griselda Gambaro, is an Argentinian drama heavily influenced by Antigone by Sophocles, and comments on an era of government terrorism that later transformed into the Dirty War of Argentina.
The antecedents of musical theatre in Europe can be traced back to the theatre of ancient Greece, where music and dance were included in stage comedies and tragedies during the 5th century BCE. [3] [4] The dramatists Aeschylus and Sophocles composed their own music to accompany their plays and choreographed the dances of the chorus.
A marble relief of a poet, perhaps Sophocles. Sophocles, the son of Sophillus, was a wealthy member of the rural deme (small community) of Hippeios Colonus in Attica, which was to become a setting for one of his plays; and he was probably born there, [2] [8] a few years before the Battle of Marathon in 490 BC: the exact year is unclear, but 497/6 is most likely.
J.T. Sheppard argues in the second half of his Aeschylus and Sophocles: Their Work and Influence that Aeschylus and Sophocles have played a major part in the formation of dramatic literature from the Renaissance to the present, specifically in French and Elizabethan drama.
Another novelty of Euripidean drama is represented by the realism with which the playwright portrays his characters' psychological dynamics. The hero described in his tragedies is no longer the resolute character as he appears in the works of Aeschylus and Sophocles, but often an insecure person, troubled by internal conflict. [citation needed]
Of Sophocles' three Theban plays that have survived, and that deal with the story of Oedipus, Oedipus Rex was the second to be written, following Antigone by about a dozen years. However, in terms of the chronology of events described by the plays, it comes first, followed by Oedipus at Colonus and then Antigone .
Thus, Thespis's true contribution to drama is unclear at best, but his name has been given a longer life in English as a common term for performer—i.e., a "thespian." The dramatic performances were important to the Athenians – this is made clear by the creation of a tragedy competition and festival in the City Dionysia (or Great Dionysia).
Titles of some plays have been attributed to Thespis. But most modern scholars, following the suggestion of Diogenes Laërtius, consider them to be forgeries, some forged by the philosopher Heraclides Ponticus, others produced rather later, in the Common Era: [7] [8]