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Female attire has been changed through the 19th and 20th century and in mid-19th century consisted of a percale shirt with wide sleeves, a decorated corset made of fabric, a wide percale skirt with floral motif, a muslin apron (fartuch), boots with high soles, trinkets or coral necklaces around the neck and a muslin (or tybet, or woollen) scarf worn on the head or over the shoulders.
Tengkuluk tanduk, a horned head-dress made from folded traditional fabrics (usually songket), unique to Minang culture, especially Bundo Kanduang attire. Kerudung, a traditional Muslim women's veil of loosely worn cloth over the head. Unlike completely covered jilbab, parts of hairs and neck are still visible.
For traditional attire, Karen men traditionally wear headdresses with tassels hanging loose on the right side of the head, as well as sleeveless tunics over longyis. [23] [22] Karen women dress in long tunics and longyis, with headbands that have both ends hanging in the front. [22]
Yoruba women's clothing is also an impactful part of the Nigerian culture and the African culture. The clothing showcases the diversity, beauty, and richness of Yoruba people and by extension the African continent and its people. The clothing also inspires and influences other forms of art and expression, such as music, dance, literature, and ...
Another form of popular fashion in women's attire during the Tang dynasty was the wearing of male clothing; it was fashionable for women to dress in male attire in public and in everyday live, especially during the Kaiyuan and Tianbao (742 -756 AD) periods; this fashion started among the members of the nobility and the court maids and gradually ...
A patadyong from the Sulu Archipelago, Philippines. The patadyong (Tagalog pronunciation: [pɐ.t̪ɐˈd͡ʒoŋ], also called patadyung, patadjong, habol, or habul), is an indigenous rectangular or tube-like wraparound skirt worn by both men and women of the Visayas and the Sulu Archipelago of the Philippines, similar to the Malong, or Sarong.
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