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Tresillo is the rhythmic basis of many African and Afro-Cuban drum rhythms, as well as the ostinato bass tumbao in Cuban son-based musics, such as son montuno, mambo, salsa, and Latin jazz. [ 12 ] [ 13 ] The example below shows a tresillo-based tumbao from "Alza los pies Congo" by Septeto Habanero (1925).
The Puerto Rican cuatro has ten strings in five courses, tuned in fourths from low to high, with B and E in octaves and A, D, and G in unisons: B 3 B 2 — E 4 E 3 — A 3 A 3 — D 4 D 4 — G 4 G 4. The cuatro is composed of several parts that work together to formulate the distinguishable sound of the instrument:
The cuatro is a family of larger 4-stringed instruments derived from the cavaquinho that are popular in Latin-American countries in and around the Caribbean. Versions of the iconic Venezuelan cuatro are very similar to the Brazilian cavaquinho, with a neck laid level with the sound box , like a Portuguese cavaquinho.
The guitarra latina is a plucked string instrument of the medieval period in Europe. [1] It has single string courses , and it is normally played with a pick . This gittern or citole with curved sides is illustrated in the medieval musical text the Cantigas de Santa Maria , alongside another gittern, the guitarra morisca .
The Spanish tinge is an Afro-Latin rhythmic touch that spices up the more conventional 4 4 rhythms commonly used in jazz and pop music. The phrase is a quotation from Jelly Roll Morton. In his Library of Congress recordings, after referencing the influence of his own French Creole culture in his music, he noted the Spanish (read Cuban) presence:
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This area is where a pick guard can be installed (the same linear area between the upper and lower bouts closest to the fingerboard.) The Mexican vihuela is a small, deep-bodied rhythm guitar built along the same lines as the guitarrón. The Mexican vihuela is used by Mariachi groups. This instrument is strummed with all of the fingernail tips ...
Rasgueado (also called Golpeado, [1] Rageo (spelled so or Rajeo), Rasgueo or Rasgeo in Andalusian dialect and flamenco jargon, or even occasionally Rasqueado) is a guitar finger strumming technique commonly associated with flamenco guitar music. It is also used in classical and other fingerstyle guitar picking techniques.