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An impression (in the context of online advertising) is when an ad is fetched from its source, and is countable. Whether the ad is clicked is not taken into account. [ 1 ] Each time an ad is fetched, it is counted as one impression.
Impressions is an album of live and studio recordings by the jazz musician and composer John Coltrane. It was released through Impulse! Records in July 1963. [1] [2]
"The Impression That I Get" is a song by American ska punk band the Mighty Mighty Bosstones, released as the lead single from their fifth studio album, Let's Face It (1997), in February 1997. The track reached number one on the US Billboard Modern Rock Tracks chart and number 23 on the Billboard Hot 100 Airplay chart while also charting highly in Australia, Canada, and on
Impression (publishing), a print run of a given edition of a work Impression (online media), a delivered basic advertising unit from an ad distribution point Cost per impression, cost accounting tool using in e-marketing
"I'm So Proud" is a song written by American singer-songwriter Curtis Mayfield and recorded by the Impressions in 1963 for the album The Never Ending Impressions. Released as a single in 1964, "I'm So Proud" peaked at number 14 on the Billboard Hot 100 Singles chart and number 16 on the Cash Box Top 100 Singles chart.
Cost per mille (CPM), also called cost per thousand (CPT) (in Latin, French and Italian, mille means one thousand), is a commonly-used measurement in advertising.It is the cost an advertiser pays for one thousand views or impressions of an advertisement. [1]
A view-through rate (VTR), measures the number of post-impression response or viewthrough from display media impressions viewed during and following an online advertising campaign. Such post-exposure behavior can be expressed in site visits, on-site events, conversions occurring at one or more Websites or potentially offline:
Impressions" is a jazz standard composed by John Coltrane. Coltrane only recorded the composition during two studio dates—on June 20, 1962 and March 6, 1963. Coltrane only recorded the composition during two studio dates—on June 20, 1962 and March 6, 1963.