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Art Nouveau posters and graphic arts flourished and became an important vehicle of the style, thanks to the new technologies of color lithography and color printing, which allowed the creation of and distribution of the style to a vast audience in Europe, the United States and beyond. Art was no longer confined to art galleries, but could be ...
Alphonse Mucha working on the cycle in 1920. Mucha's The Slav Epic in the National Gallery of Prague. The Slav Epic (Czech: Slovanská epopej) is a cycle of 20 large canvases painted by Czech Art Nouveau painter Alphonse Mucha between 1910 and 1928. The cycle depicts the mythology and history of Czechs and other Slavic peoples.
In 1895, Mucha produced the poster for Gismonda, a play starring Sarah Bernhardt. Bernhardt highly admired Mucha's work, commissioning a six-year contract with him. [1] The style employed in Gismonda, le style Mucha, became a sensation in Paris and became known as the Art Nouveau movement. [2] Following Gismonda, Mucha
First cover of Cocorico by artist Alphonse Mucha in 1898. Cocorico was a French magazine first published in 1898. It was produced by the artist Paul-Émile Boutigny and featured many artists of the Art Nouveau movement including Alphonse Mucha and Théophile Steinlen. The magazine had 63 issues. [1]
Georges Fouquet (1862–1957) was a French jewelry designer best known for his Art Nouveau creations. [1] He was part of a successful jewellery family [ 2 ] his father Alphonse Fouquet before him design in a neoclassicist style and his son Jean Fouquet design in the Art Deco style.
The whiplash or whiplash line is a motif of decorative art and design that was particularly popular in Art Nouveau. It is an asymmetrical, sinuous line, often in an ornamental S-curve, usually inspired by natural forms such as plants and flowers, which suggests dynamism and movement. [ 1 ]
The term Art Nouveau was first used in the 1880s in the Belgian journal L'Art Moderne to describe the work of Les Vingt, twenty painters and sculptors seeking reform through art. The name was popularized by the Maison de l'Art Nouveau ('House of the New Art'), an art gallery opened in Paris in 1895 by the Franco-German art dealer Siegfried Bing.
It was vividly expressed in the Paris metro stations and posters of Alphonse Mucha. Two landmark rooms in the Art Nouveau style are displayed in the museum; a private dining room in the Art Nouveau from the Café de Paris (1899), and the jewellery shop of Georges Fouquet, designed by Alphonse Mucha (1901). [50]
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