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The answer was that it only mattered that the ruler loved his subjects. In ancient China the social status of musicians was much lower than that of painters, though music was seen as central to the harmony and longevity of the state. Almost every emperor took folk songs seriously, sending officers to collect songs to record the popular culture.
[3] [4] [5] Like other entertainers in ancient China, geji had low social standing. Some geji contributed to the development of dance, poetry, painting and other arts and literature throughout China's history. During the Song and Tang Dynasty, geji would perform poems as songs, which helped the spread of ancient Chinese poems. [6] [7]
Chinese literature during the Song period contained a range of many different genres and was enriched by the social complexity of the period. Although the earlier Tang dynasty is viewed as the zenith era for Chinese poetry (particularly the shi style poetry of Du Fu, Li Bai, Bai Juyi), there were important poetic developments by famous poets of the Song era, with the flourishing of the ci form ...
Also called "Patriotic Song" (愛國歌), "How Great is Our China!" (泱泱哉，我中華！) has lyrics written by Liang Qichao and music by overseas Chinese at Datong School (大同學校), Yokohama. Released in 1912, it became quite popular, especially among students. [1]
The ancient Chinese defined, by mathematical means, a gamut or series of 十二律 (Shí-èr-lǜ), meaning "twelve lü," from which various sets of five or seven frequencies were selected to make the sort of "do re mi" major scale familiar to those who have been formed with the Western Standard notation.
The Oriental riff and interpretations of it have been included as part of numerous musical works in Western music. Examples of its use include Poetic Tone Pictures (Poeticke nalady) (1889) by Antonin Dvořák, [6] "Limehouse Blues" by Carl Ambrose and his Orchestra (1935), "Kung Fu Fighting" by Carl Douglas (1974), "Japanese Boy" by Aneka (1981), [1] [4] The Vapors' "Turning Japanese" (1980 ...
The Chu Ci, variously translated as Verses of Chu, Songs of Chu, or Elegies of Chu, is an ancient anthology of Chinese poetry including works traditionally attributed mainly to Qu Yuan and Song Yu from the Warring States period, as well as a large number of works composed during the Han dynasty several centuries later.
In Chinese mythology, Ling Lun is said to have created bamboo flutes which made the sounds of many birds, including the mythical phoenix. "In this way, Ling Lun invented the five notes of the ancient Chinese five-tone scale (gong, shang, jiao, zhi, and yu, which is equivalent to 1, 2, 3, 5, and 6 in numbered musical notation or do, re, mi, sol, and la in western solfeggio) and the eight sounds ...