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Though hailed by Thomas Carlyle as "the writer's best book" [12] and despite its commercial success, initial critical reactions to The Conduct Of Life were mixed at best. The Knickerbocker praised it for its "healthy tone" and called it "the most practical of Mr. Emerson's works," [13] while The Atlantic Monthly attested that "literary ease and flexibility do not always advance with an author ...
When a poem is flooded with too much emotion, it becomes sentimental, even cheesy; but when a poem risks nothing, it leaves a reader cold. The best love poems enact the hyperaware state of being ...
12 Rules for Life: An Antidote to Chaos is a 2018 self-help book by the Canadian clinical psychologist Jordan Peterson. It provides life advice through essays in abstract ethical principles, psychology, mythology, religion, and personal anecdotes.
Regulated verse consisting of the three jintishi or "new style poetry" forms of lushi, jueju, and pailu while retaining the basic characteristics that are distinguished from the gushi or "old style poetry" by the addition of several formal rules, most of which they share in common, but in some of which they differ.
When it comes to the critical matter of planning for your future, here are seven retirement rules to live by.
To Live (simplified Chinese: 活着; traditional Chinese: 活著; pinyin: Huózhe) is a novel written by Chinese novelist Yu Hua in 1993. It describes the struggles endured by Fugui, the son of a wealthy land-owner, while historical events caused and extended by the Chinese Revolution are fundamentally altering the nature of Chinese society.
Be detached from desire your whole life long. Do not regret what you have done. Never be jealous. Never let yourself be saddened by a separation. Resentment and complaint are appropriate neither for oneself nor others. Do not let yourself be guided by the feeling of lust or love. In all things have no preferences. Be indifferent to where you live.
A clerihew (/ ˈ k l ɛr ɪ h j uː /) is a whimsical, four-line biographical poem of a type invented by Edmund Clerihew Bentley.The first line is the name of the poem's subject, usually a famous person, and the remainder puts the subject in an absurd light or reveals something unknown or spurious about the subject.