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The standard CD version of Christmas Portrait, first issued in 1984, is a "Special Edition" compendium of selected tracks from the Carpenters' two Christmas albums into one 70-minute program, with tracks from each interspersed in the running order; "Ave Maria" was remixed at this time in order to include a choral track that vanished in 1978 and was later found.
It was the second Christmas TV special that the pop duo made and was taped in October 1978. The special stars Richard and Karen Carpenter, with special guests Gene Kelly, Kristy and Jimmy McNichol, Georgia Engel, and Peter Pit. The special is named after the Carpenters' recently released Christmas album Christmas Portrait in October 1978.
The documentary itself runs for approximately 60 minutes, with a 12-minute encore after the end credits featuring a performance of "(A Place To) Hideaway", the Carpenters' commercial for Morton's Potato Chips, and their performance of "Ave Maria" for the 1978 A Christmas Portrait special. The rest of the 100-minute total running time includes ...
The discography of the American pop group the Carpenters consists of 14 studio albums, two Christmas albums, two live albums, 49 singles, and numerous compilation albums. . The duo was made up of siblings Karen (lead vocals and drums) and Richard Carpenter (keyboards and vocal
Christmas Portrait 1978 TV Special The Christmas Waltz: Christmas Portrait: 1978: 1978: Cahn, Styne: Christmas Portrait 1978 TV Special The End of the World: Now & Then: 1973: 1973: Dee, Kent: The First Snowfall: Christmas Portrait: 1978: 1978: Burke, Webster: Christmas Portrait 1978 TV Special The Night Has a Thousand Eyes: Now & Then: 1973: ...
"The Christmas Waltz" is a Christmas song written by Sammy Cahn and Jule Styne for Frank Sinatra, who recorded it in 1954 as the B-side of a new recording of "White Christmas", [1] in 1957 for his album A Jolly Christmas from Frank Sinatra, [2] and in 1968 for The Sinatra Family Wish You a Merry Christmas.
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The lyrics were written in 1946 by 20-year-old Frank Pooler, which, according to him, were about a love interest he had at the time. 20 years later in 1966, when he was choral director at California State University, Long Beach, two of his aspiring music students, Karen and Richard Carpenter, who were beginning to have success as a local band, asked him (their favorite professor) if he had any ...
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