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American landscape painter of the Hudson River School. He painted idyllic landscape paintings of an early American wilderness and the scenic vistas of the White Mountains in New Hampshire. He exhibited at the National Academy from 1839 to 1873 and at the American Art-Union in 1847. He was deeply influenced by the dramatic work of Thomas Cole ...
Lake with Dead Trees, also known as Catskill, is an oil-on-canvas painting completed in 1825 by Thomas Cole.Depicting a scene in the Catskill Mountains in southeastern New York State, this work is one of five of Cole's 1825 landscapes that initiated the mid-19th century American art movement known as the Hudson River School.
Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of ...
The Hudson River School was a mid-19th-century American art movement embodied by a group of landscape painters whose aesthetic vision was influenced by Romanticism. Early on, the paintings typically depicted the Hudson River Valley and the surrounding area, including the Catskill , Adirondack , and White Mountains .
Thomas Hill (1829–1908) Mount Lafayette in Winter 1870. White Mountain art is the body of work created during the 19th century by over four hundred artists who painted landscape scenes of the White Mountains of New Hampshire in order to promote the region and, consequently, sell their works of art.
Mountain Landscape with Sunset: Oil on paper 8.2 cm × 9.5 cm (3.2 in × 3.7 in) Lyman Allyn Art Museum [2]: 329 Mountain Landscape: Oil on paper mounted on canvas 27 cm × 38.1 cm (10.6 in × 15.0 in) Speed Art Museum
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Cross in the Mountains, also known as the Tetschen Altar, is an oil painting by the German artist Caspar David Friedrich designed as an altarpiece. Among Friedrich's first major works, the 1808 painting marked an important break with the conventions of landscape painting [2] by including Christian iconography.
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