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Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of ...
A drawing of twin mountains (Indonesian: pemandangan gunung kembar, "twin mountain view", or pemandangan gunung legendaris, "legendary mountain view") is a drawing pattern commonly made by Indonesian kindergarten and primary school students. The drawing is often produced by students who are asked by their teacher to draw natural features.
Buff Monster was born in Hawaii and graduated from the University of Southern California with a fine arts major. [3] He made a name for himself by putting up thousands of hand-silkscreened posters across Los Angeles. Along with his paintings, he has created a range of merchandise, from prints and stickers to vinyl toys and plush.
Edward Theodore Compton, usually referred to as E. T. Compton, (29 July 1849 – 22 March 1921) was an English-born, German artist, illustrator and mountain climber. He is well known for his paintings and drawings of alpine scenery, and as a mountaineer made 300 major ascents including no fewer than 27 first ascents. [1]
The Great Wave off Kanagawa, the best known print in the series (20th century reprint). Mount Fuji is in the center distance.. Thirty-six Views of Mount Fuji (Japanese: 富嶽三十六景, Hepburn: Fugaku Sanjūrokkei) is a series of landscape prints by the Japanese ukiyo-e artist Hokusai (1760–1849).
Shan shui painting is a kind of painting which goes against the common definition of what a painting is. Shan shui painting refutes color, light and shadow and personal brush work. Shan shui painting is not an open window for the viewer's eye, it is an object for the viewer's mind. Shan shui painting is more like a vehicle of philosophy. [6]
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Cole's 1839 work, A View of the Pass Called the Notch of the White Mountains, is perhaps the best and finest example of early 19th-century White Mountain art. [9] Catherine Campbell, in her reference New Hampshire Scenery, stated, "The Notch of the White Mountains [is a] magistral work, one of the undisputed masterpieces of White Mountain ...
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