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There are two primary families of guitars: acoustic and electric. An acoustic guitar has a wooden top and a hollow body. An electric guitar may be a solid-body or hollow body instrument, which is made louder by using a pickup and plugging it into a guitar amplifier and speaker. Another type of guitar is the low-pitched bass guitar.
An acoustic guitar with pickups for electrical amplification is called an acoustic-electric guitar. In the 2000s, manufacturers introduced new types of pickups to try to amplify the full sound of these instruments. This includes body sensors, and systems that include an internal microphone along with body sensors or under-the-saddle pickups.
The steel-string acoustic guitar is a modern form of guitar that descends from the gut-strung Romantic guitar, [1] but is strung with steel strings for a brighter, louder sound. Like the modern classical guitar, it is often referred to simply as an acoustic guitar , or sometimes as a folk guitar .
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Penco made Martin- and Gibson-style acoustic guitars. Reverse engineered and built to spec, some of the closest replicas of the Martin D-28, D-35, D-41, D-45, and D-45 12 models in existence today were made by Penco, as well as bolt-neck copies of Gibson's Les Paul and SG guitars and basses, Rickenbacker 4001 basses, Fender Stratocaster and Telecaster guitars, Fender Jazz bass guitars, 12 ...
The design is distinct from a semi-acoustic guitar, which is an electric guitar with the addition of sound chambers within the guitar body. Usually, acoustic-electric guitars are fitted with piezoelectric pickups, requiring a preamplifier incorporated into the guitar body to amplify the signal before it travels to the main guitar amplifier .
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
The use of the leading-tone imperfect authentic cadence (VII-I) in popular music is often attributed to the ease of sliding a barre chord up two frets. [6] In the context of classical music, Fernando Sor recommended using barring and shifting sparingly. His principal reason for avoiding barre chords is that they require more effort—but he ...