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Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include Lục bát, Song thất lục bát, and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five ...
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The Story of Phạm Tải and Ngọc Hoa (Phạm Tải – Ngọc Hoa) is an anonymous 18th Century Vietnamese language epic poem of 934 verses.. The poem belongs to the genre of vernacular nôm script verse poems which includes Phạm Công – Cúc Hoa, Nhị độ mai ("The Plum Tree Blossoms Twice"), Lục súc tranh công ("The Struggle of the Six Animals"), the tale of Thạch Sanh, the ...
His complex late style compounds the problems related to translating Vietnamese poetry into English; while the purity of his early style presents another set of challenges. [5] A bilingual Vietnamese–French choice of his poetry was published in 2001 by French scholar Hélène Péras (Le Hameau des roseaux, Aryufen).
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Ngô Xuân Diệu (Vietnamese: [swən˧˧ ziəw˧˨ʔ]; February 2, 1916 – December 18, 1985) was a Vietnamese poet, journalist, short-story writer, and literary critic, best known as one of the prominent figures of the twentieth-century Thơ mới (New Poetry) Movement.
It was first transcribed into the Latin-based modern Vietnamese alphabet in 1889. [ 2 ] There was a saying that "Men should not talk about the story of Phan Trần, women should not talk about The Tale of Kiều ," because the plot of Phan Trần concerns romantic emotions of a man, Phan Sinh, who falls in love with Diệu Thường, a girl ...
In 2000, he released Spring Essence, a collection of poems by Hồ Xuân Hương, an 18th-century poet and the preeminent woman poet of Vietnam. The book included English translations and versions in both the current Vietnamese alphabet and the historical Chữ Nôm writing system. [9] Balaban has written poetry beyond his experiences in Vietnam.
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