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List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament: 16-tet scale on C. Play ⓘ — — — 16 — — — 17 equal ...
The Ionian mode corresponds to the major scale. Scales in the Lydian mode are major scales with an augmented fourth. The Mixolydian mode corresponds to the major scale with a minor seventh. The Aeolian mode is identical to the natural minor scale. The Dorian mode corresponds to the natural minor scale with a major sixth.
The album was released in anticipation of the December 9, 2005 premiere of the film The Chronicles of Narnia: The Lion, the Witch and the Wardrobe. By October 2005, the songs "Remembering You" by Steven Curtis Chapman and "Waiting for the World to Fall" by Jars of Clay were already being played on Contemporary Christian radio.
The Lydian scale can be described as a major scale with the fourth scale degree raised a semitone, making it an augmented fourth above the tonic; e.g., an F-major scale with a B ♮ rather than B ♭. That is, the Lydian mode has the following formula:
Some scales use a different number of pitches. A common scale in Eastern music is the pentatonic scale, which consists of five notes that span an octave. For example, in the Chinese culture, the pentatonic scale is usually used for folk music and consists of C, D, E, G and A, commonly known as gong, shang, jue, chi and yu. [14] [15]
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005) composed by Harry Gregson-Williams. The Chronicles of Narnia: Prince Caspian (2008) composed by Harry Gregson-Williams. The Chronicles of Narnia: The Voyage of the Dawn Treader (2010) composed by David Arnold.
Gregson-Williams was the first composer whom director Andrew Adamson approached for the film because they had worked together on Shrek (2001) and Shrek 2 (2004). Because Adamson had to shoot the film in New Zealand for an extended period and Gregson-Williams was working on scores for films such as Kingdom of Heaven, he initially only prepared for the project by re-reading the book and reading ...
The Aeolian mode is the sixth mode of the major scale, that is, it is formed by starting on the sixth degree of the major scale. For example, if the Aeolian mode is used in its all-white-note pitch based on A, this would be an A-minor triad, which would be the submediant in the relative major key of C major .
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