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When They Ring Those Golden Bells (also known as There's a Land Beyond the River or When They Ring the Golden Bells) is a prominent American gospel and bluegrass song written in 1887 by Daniel de Marbelle, a European immigrant, veteran of the American Civil War and Mexican War, and circus leader.
The regional toponym Mesopotamia (/ ˌ m ɛ s ə p ə ˈ t eɪ m i ə /, Ancient Greek: Μεσοποταμία '[land] between rivers'; Arabic: بِلَاد ٱلرَّافِدَيْن Bilād ar-Rāfidayn or بَيْن ٱلنَّهْرَيْن Bayn an-Nahrayn; Persian: میانرودان miyân rudân; Syriac: ܒܝܬ ܢܗܪ̈ܝܢ Beth Nahrain "(land) between the (two) rivers") comes from the ...
1983 performance 1985 performance. It was adopted in 1981, written by Shafiq al-Kamali [2] (who died in 1984) with music by Walid Georges Gholmieh. [3]The lyrics make mention of important people in Iraqi history, such as Saladin, Harun al-Rashid, and al-Muthanna ibn Haritha, with the last verse extolling Ba'athism.
The name Bayn al-Nahrayn found in Arabic (بين النهرين, "between the two rivers") is a near literal translation of the word Mesopotamia where the Arabic suffix ان-ān (used to indicate that the noun is dual) introduced another misnomer that Beth Nahrain specifically referred to the land between the Tigris and Euphrates rivers.
The song's lyrics refer to the Christian concept of the anticipation of restoration and reward, and reference the motifs found at Revelation 22:1–2 - a crystal clear river with water of life, issuing from the throne of heaven, all presented by an angel of God. It also brings to mind Acts 16:13, where Paul found women gathered by the river ...
Arvid Liljelund [de; fi; sv] 's Man Singing Hymn (1884). A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. [1]
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The earliest known version of the song, titled "The Good Old Way," was published in Slave Songs of the United States in 1867. [1] The song (#104) was contributed to that book by George H. Allan of Nashville, Tennessee, who may also have been the transcriber. The lyrics printed in this collection are: