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The word xicalcoliuhqui (Nahuatl pronunciation: [ʃikaɬkoˈliʍki]) means "twisted gourd" (xical- "gourdbowl" and coliuhqui "twisted") in Nahuatl. [1] [2] [10] The motif is associated with many ideas, and is variously thought to depict water, waves, clouds, lightning, a serpent or serpent-deity like the mythological fire or feathered serpents, as well as more philosophical ideas like cyclical ...
The meander is a fundamental design motif in regions far from a Hellenic orbit: labyrinthine meanders ("thunder" pattern [3]) appear in bands and as infill on Shang bronzes (c. 1600 BC – c. 1045 BC), and many traditional buildings in and around China still bear geometric designs almost identical to meanders.
A rhythmic motif is the term designating a characteristic rhythmic formula, an abstraction drawn from the rhythmic values of a melody. A motif thematically associated with a person, place, or idea is called a leitmotif or idée fixe. [7] Occasionally such a motif is a musical cryptogram of the name involved.
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The motif is based on the German musical nomenclature, however the initials of the composer’s name appear partially in German and in Italian version, instead of Philipp as Filippo. The C. F. E. BACH motif appears in an unpublished Fughetta in F major of C. Ph. E. Bach, found in the Brussels Conservatorium .
Set off against this insanity is the ironic counterpoint of Jenny's operatic aria about the beauty of a wedding day." [ 1 ] Commenting on Stephen Sondheim's 'Company' With The New York Philharmonic , The AV Club wrote "it'd be hard for anyone to sing the patter-iffic 'Getting Married Today' as fast as it's meant to be, even with months to work ...
Fretwork is an interlaced decorative design that is either carved in low relief on a solid background, or cut out with a fretsaw, coping saw, jigsaw or scroll saw.Most fretwork patterns are geometric in design.
"Mariage d'amour" ("Marriage of Love") is a piece of French solo piano music, composed by Paul de Senneville in 1978, and first performed by the pianist Richard Clayderman from his album Lettre À Ma Mère in 1979. [2] Later, pianist George Davidson performed this piece of music from his album My Heart Will Go On with a slightly different ...