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Salt glazed pottery was also popular in North America from the early 17th century until the early 19th century, [13] indeed it was the dominant domestic pottery there during the 19th century. [14] Whilst its manufacture in America increased from the earliest dated production, the 1720s in Yorktown , significant amounts were imported from ...
While salt-glazing is the typical glaze technique seen on American Stoneware, other glaze methods were employed. Vessels were often dipped in Albany Slip, a mixture made from a clay peculiar to the Upper Hudson Region of New York, and fired, producing a dark brown glaze. Albany Slip was also sometimes used as a glaze to coat the inside surface ...
A Bartmann jug (from German Bartmann, "bearded man"), also called a Bellarmine jug, is a type of decorated salt-glazed stoneware that was manufactured in Europe throughout the 16th and 17th centuries, especially in the Cologne region, in what is today western Germany. The characteristic decorative detail is a bearded face mask appearing on the ...
In 1975 she set up Millfield Pottery Workshop near Doncaster Yorkshire. [3] Hamlyn is credited with discovering the green colour that arises when painting a titanium wash over a blue slip [4] and in 1999 she was awarded the European Saltglaze Prize. [3] Along with Walter Keeler she is considered a pioneer of the salt glaze revival. [5]
Mansfield also wrote a number of ceramics books, including Pottery (1986), A collector's guide to modern Australian ceramics (1988), Salt-glaze ceramics: an international perspective (1991), Contemporary ceramic art: in Australia and New Zealand (1995), Ceramics in the environment: an international review (2005). In addition she edited a number ...
Westerwald pottery, or Westerwald stoneware, is a distinctive type of salt glazed grey pottery from the Höhr-Grenzhausen and Ransbach-Baumbach area of Westerwaldkreis in Rheinland-Pfalz, Germany. Typically, Westerwald pottery is decorated with cobalt blue painted designs, although some later examples are white.
Pfaltzgraff Folk Art stoneware (1977 to 1983) modeled on early American salt glazed pottery; the stenciled pattern "Yorktowne" is Pfalzgraff's most popular. Pfaltzgraff America chargers designed by David Walsh in collaboration with Museum of American Folk Art, 1983 to 1985
Donald Lester Reitz (November 7, 1929 – March 19, 2014) was an American ceramic artist, recognized for inspiring a reemergence of salt glaze pottery in United States. [1] [2] He was a teacher of ceramic art at the University of Wisconsin–Madison from 1962 until 1988.
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