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  2. Twelve-bar blues - Wikipedia

    en.wikipedia.org/wiki/Twelve-bar_blues

    The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements ...

  3. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV : C–G–Am–F. V ...

  4. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    List of chord progressions. The following is a list of commonly used chord progressions in music. Mix. I–IV– ♭ VII–IV. Mix. Mix. Mix. Omnibus progression. Mix.

  5. Chord progression - Wikipedia

    en.wikipedia.org/wiki/Chord_progression

    Chord progressions are the foundation of popular music styles (e.g., pop music, rock music), traditional music, as well as genres such as blues and jazz. In these genres, chord progressions are the defining feature on which melody and rhythm are built. In tonal music, chord progressions have the function of either establishing or otherwise ...

  6. Eight-bar blues - Wikipedia

    en.wikipedia.org/wiki/Eight-bar_blues

    In music, an eight-bar blues is a common blues chord progression. Music writers have described it as "the second most common blues form" [1] being "common to folk, rock, and jazz forms of the blues". [2] It is often notated in 4. 8 time with eight bars to the verse.

  7. Blues scale - Wikipedia

    en.wikipedia.org/wiki/Blues_scale

    At its most basic, a single version of this blues scale is commonly used over all changes (or chords) in a twelve-bar blues progression. [7] Likewise, in contemporary jazz theory, its use is commonly based upon the key rather than the individual chord. [2] Greenblatt defines two blues scales, the major and the minor.

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