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Kino-Eye. Still from Man with a Movie Camera (1929) Kino-Eye (Anglophonic: Cine-Eye) is a film technique developed in Soviet Union by Dziga Vertov. It was also the name of the movement and group that was defined by this technique. Kino-Eye was Vertov's means of capturing what he believed to be "inaccessible to the human eye"; [1] that is, Kino ...
Dziga Vertov. Dziga Vertov (Russian: Дзига Вертов, born David Abelevich Kaufman, Russian: Дави́д А́белевич Ка́уфман, and also known as Denis Kaufman; 2 January 1896 [O.S. 21 December 1895] – 12 February 1954) was a Soviet pioneer documentary film and newsreel director, as well as a cinema theorist. [1] His ...
Vertov was an early pioneer in documentary film-making during the late 1920s. He belonged to a movement of filmmakers known as the kinoks, or kino-oki (kino-eyes). Vertov, along with other kino artists declared it their mission to abolish all non-documentary styles of film-making, a radical approach to movie making.
Kinoks ("cinema-eye men") / Kinoglaz ("Kino-eye") – The group and movement founded by Dziga Vertov. The Council of Three was the official voice of Kino-eye, issuing statements on the group's behalf. The demands, elaborated in films, conferences, and future essays, would seek to situate Kino-eye as the preeminent Soviet filmmaking collective.
Silent film. Three Songs about Lenin. Three Songs About Lenin ( Russian: Три песни о Ленине) is a 1934 documentary sound film by Ukrainian-Russian filmmaker Dziga Vertov. It is based on three admiring songs sung by anonymous people in Soviet Russia about Vladimir Ilyich Lenin. It is made up of 3 episodes and is 57 minutes long.
Kinoks. The Kinoks ( Russian: Киноки, romanized : kino-oki, lit. 'cinema-eyes') were a collective of Soviet filmmakers in the 1920s, consisting of Dziga Vertov, Elizaveta Svilova and Mikhail Kaufman. According to Annette Michelson, Georges Sadoul states the collective was founded in 1922 [1] by Svilova, Vertov and Kaufman, and the painter ...
Kino-Pravda. Kino-Pravda No.23 (1925) Kino-Pravda ( Russian: Кино-Правда, lit. 'Film Truth') was a series of 23 newsreels by Dziga Vertov, Elizaveta Svilova, and Mikhail Kaufman launched in June 1922. Vertov referred to the twenty-three issues of Kino-Pravda as the first work by him where his future cinematic methods can be observed.
Some film academics have noted film's great illusory abilities. Dziga Vertov claimed in his 1924 manifesto, "The Birth of Kino-Eye" that "the cinema-eye is cinema-truth". [ 8 ] To paraphrase Hilmar Hoffmann , this means that in film, only what the camera 'sees' exists, and the viewer, lacking alternative perspectives, conventionally takes the ...
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