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  2. Barre chord - Wikipedia

    en.wikipedia.org/wiki/Barre_chord

    The CAGED system is an acronym for the chords C, A, G, E, and D. This acronym is shorthand for the use of barre chords that can be played anywhere on the fret board as described above. Some guitar instructors use it to teach students the open chords that can work as barre chords across the fret board.

  3. Guitar chord - Wikipedia

    en.wikipedia.org/wiki/Guitar_chord

    Only two or three frets are needed for the guitar chords—major, minor, and dominant sevenths—which are emphasized in introductions to guitar-playing and to the fundamentals of music. [ 92 ] [ 93 ] Each major and minor chord can be played on exactly two successive frets on exactly three successive strings, and therefore each needs only two ...

  4. Pitch axis theory - Wikipedia

    en.wikipedia.org/wiki/Pitch_axis_theory

    [citation needed] The bass and guitar play the root (B) while the keyboardist implies the chords in the progression: B5, Bm7, Bm6, G/B, A/B. Ignoring the root, the scales used for each of these four chords would be B Aeolian (natural minor), B Dorian, C♯ Mixolydian, and E Aeolian, respectively.

  5. Classical guitar pedagogy - Wikipedia

    en.wikipedia.org/wiki/Classical_guitar_pedagogy

    The classical guitar pedagogy is a collection of ideas, structures and patterns that are typical in teaching the instrument. These elements have been formalised by several music governing bodies, most notably ABRSM. These frameworks contain a rubric to teach classical guitar from novice to expert.

  6. Nashville Number System - Wikipedia

    en.wikipedia.org/wiki/Nashville_Number_System

    The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy . [ 1 ]

  7. Circle of fifths - Wikipedia

    en.wikipedia.org/wiki/Circle_of_fifths

    The enduring popularity of the circle of fifths as both a form-building device and as an expressive musical trope is evident in the number of "standard" popular songs composed during the twentieth century. It is also favored as a vehicle for improvisation by jazz musicians, as the circle of fifths helps songwriters understand intervals, chord ...

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