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The reference is used to state that the names of things do not affect what they really are. This formulation is, however, a paraphrase of Shakespeare's actual language. Juliet compares Romeo to a rose saying that if he were not a Montague, he would still be just as handsome and be Juliet's love.
In that poem, the first "Rose" is the name of a person. Stein later used variations on the sentence in other writings, and the shortened form "A rose is a rose is a rose" is among her most famous quotations, often interpreted as meaning [1] "things are what they are", a statement of the law of identity, "A is A."
Sonnet 54 is an English or Shakespearean sonnet.The English sonnet contains three quatrains followed by a final rhyming couplet.This poem follows the rhyme scheme of the English sonnet, abab cdcd efef gg and is composed in iambic pentameter, a type of metre in which each line has five feet, and each foot has two syllables that are accented weak/strong.
The first quatrain details the love that the poet feels. The first line addresses "the quality of love." [3] Shakespeare also wants his love to be noticed and to the "desired" effect to happen. [7] The use of "sweet love" appears to address a specific person but later seems to address the love that the author feels. [8]
The poem answers its own questions by pointing out that his best work is inspired by fidelity to the subject of the poems. [ 3 ] The sonnet seems to be sincerely self-denigrating about the poet's lack of variety, and lack of incorporating the latest fashions, but at the same time there is a sense that the self-effacing pose doesn't ring true.
Sonnet 23 is one of a sequence of 154 sonnets written by the English playwright and poet William Shakespeare, and is a part of the Fair Youth sequence.. In the sonnet, the speaker is not able to adequately speak of his love, because of the intensity of his feelings.
Sonnet 116 is an English or Shakespearean sonnet.The English sonnet has three quatrains, followed by a final rhyming couplet.It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions.
As Sidney Lee notes, this poem, like most Renaissance sonnets on similar themes, derives ultimately from Petrarch's sonnet 42; he cites examples from Surrey and Sidney. Edward Dowden notes a resemblance to Spenser's Amoretti 64. G. Wilson Knight connects the rose and lily of this poem to what he sees as a pattern of flower symbolism in the cycle.