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The neuroscience of music is the scientific study of brain-based mechanisms involved in the cognitive processes underlying music. These behaviours include music listening, performing, composing, reading, writing, and ancillary activities. It also is increasingly concerned with the brain basis for musical aesthetics and musical emotion.
The psychology of music, or music psychology, is a branch of psychology, cognitive science, neuroscience, and/or musicology. It aims to explain and understand musical behaviour and experience , including the processes through which music is perceived, created, responded to, and incorporated into everyday life.
Music has been shown to consistently elicit emotional responses in its listeners, and this relationship between human affect and music has been studied in depth. This includes isolating which specific features of a musical work or performance convey or elicit certain reactions, the nature of the reactions themselves, and how characteristics of the listener may determine which emotions are felt.
This is your brain on music. New York: Plume. —Recording engineer turned music psychologist Daniel Levitin talks about the psychology of music in an up tempo, informal, and personal way. Examples drawn from rock and related genres and the limited use of technical terms are two features of the book that make the book appealing to a wide audience.
Music psychology uses the tools of musicology and psychology to explain and understand musical behavior and experience, including the processes by which music is perceived, created, responded to, and incorporated into everyday life.
For example, when a patient is asked to tap out a beat or try to reproduce a tone, this region is very active on fMRI and PET scans. [2] The cerebellum is the "mini" brain at the rear of the skull. Similar to the frontal cortex, brain imaging studies suggest that the cerebellum is involved in processing melodies and determining tempos .
Music cognition refers to the underlying mental processes that occur when people listen to music or perform music. For more information, see Music psychology . Subcategories
Her interdisciplinary research touches music psychology, music theory and cognitive neuroscience of music. Krumhansl's precise mathematical modeling of tonal and rhythmic musical dimensions has been extended in current models of music perception, memory and performance, most notably by her former students Jamshed Bharucha , Michael Hove ...