Search results
Results from the WOW.Com Content Network
In the narrow sense, musicology is confined to the music history of Western culture. In the intermediate sense, it includes all relevant cultures and a range of musical forms, styles, genres and traditions, but tends to be confined to the humanities - a combination of historical musicology, ethnomusicology , and the humanities of systematic ...
Sheet music for popular tunes dating as far back as 1865. Items are scanned at 600 dpi and saved as a TIFF files. Mississippi State University: CHASE research project, University of Leeds, UK: 19th- and early 20th-century performing editions of string music 2,000 AHRC-funded research project containing music files viewable on-site or as downloads.
In theory, "music history" could refer to the study of the history of any type or genre of music, such as the music of India or rock music. In practice, these research topics are more often considered within ethnomusicology and "historical musicology" is typically assumed to imply Western Art music of the European tradition.
Musicology topics; Opera librettists; Ornaments; Performances of French grand operas at the Paris Opéra; Period instruments; Pipe organ stops; Pitch intervals; Principal conductors by orchestra; List of program music; Quarter tone pieces; Styles of music: A–F; Styles of music: G–M; Styles of music: N–R; Styles of music: S–Z; Symphony ...
Both types of courseoach on a narrower subject while introducing more of the tools of research in music history. The range of possible topics is virtually limitless. Some examples might be "Music during World War I," "Medieval and Renaissance instrumental music," "Music and politics," "Mozart's Don Giovanni, or Women and music." The methods and ...
In A Guide to Research in Music Education, Phelps, Ferrara and Goolsby define research as the identification and isolation of a problem into a workable plan; the implementation of that plan to collect the data needed; and the synthesis, interpretation and presentation of the collected information into some format which readily can be made available to others.
The Oxford History of Music was first published in six volumes under the general editorship of Sir Henry Hadow between 1901 and 1905. [10] The first two, written by H. E. Woolridge (who had been appointed Slade Professor of Fine Art at Oxford in 1895), were entitled The Polyphonic Period and began with the music of ancient Greece. These volumes ...
"But that music is a language by whose means messages are elaborated, that such messages can be understood by the many but sent out only by the few, and that it alone among all language unites the contradictory character of being at once intelligible and untranslatable—these facts make the creator of music a being like the gods and make music itself the supreme mystery of human knowledge."