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In late 1975, Marshall introduced the "Master Volume" ("MV") series with the 100W 2203, followed in 1976 by the 50W 2204. This was an attempt to control the volume level of the amplifiers whilst maintaining the overdriven distortion tones that had become synonymous with the Marshall brand.
Compared to the earlier "Master Volume" series, they offered some advantages, including the possibility to be patched internally and linked with other amplifiers. [3] The first JCM800s were in fact Master Volume amplifiers (Models 2203 and 2204, at 100 and 50 watts respectively), repackaged in new boxes with new panels.
The Super Six Reverb is essentially a master volume Twin Reverb or Dual Showman Reverb equipped with six Oxford 10L6 (or CTS 10" AlNiCo) speakers featuring 10"/5.2 ohms (8 ohms each in series-parallel) and 100 watts RMS (changed to 135W in 1977). Introduced in 1972, this silverface combo amplifier was discontinued in 1979.
The 1959 (Marshall's identifying numbers are not years of manufacture), produced from 1965 to 1976 (when it was replaced by the 2203 "Master Volume"), [1] is an amplifier in Marshall's "Standard" series. [2] It was designed by Ken Bran and Dudley Craven after The Who's guitarist Pete Townshend asked Marshall for a 100 watt amplifier. [3]
In 1972 a master volume was added, then in late '73 it was fitted with a push pull "boost" or acentric potentiometer in the master volume position. The rating of the amplifier's output power was upgraded to 100 watts and between 1977–1982 an ultra linear output transformer was used, increasing the power to 135 watts.
Master Volume is the second studio album by Canadian punk rock band, The Dirty Nil. The album was released on September 14, 2018 through Dine Alone Records . The album's first single, " Bathed in Light ", was released ahead of the album in June 2018.
UPS will cut the volume of Amazon deliveries it transports by more than 50% by the second half of 2026. Dykes noted while the move leads to lower volumes in the coming quarters, it is also ...
These changes increased the headroom of the amp and brought it more inline with the non-reverb versions. This was complemented by the added functionality of a master volume and a push/pull boost. Some later Bandmaster Reverbs also added a 3-band EQ on the Normal channel and a bright switch but this was uncommon across all models.