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The hyperfocal distance has a property called "consecutive depths of field", where a lens focused at an object whose distance from the lens is at the hyperfocal distance H will hold a depth of field from H/2 to infinity, if the lens is focused to H/2, the depth of field will be from H/3 to H; if the lens is then focused to H/3, the depth of ...
In particular, if the decision version of the ray tracing problem is defined as follows [66] – given a light ray's initial position and direction and some fixed point, does the ray eventually reach that point, then the referenced paper proves the following results:
By the 19th century artists were drawing naturally occurring speed lines when showing the passage of an object through water or snow, but it was not until the 1870s that artists like Wilhelm Busch and Adolphe Willette began drawing motion lines to depict the movement of objects through air.
Penetration depth is a measure of how deep light or any electromagnetic radiation can penetrate into a material. It is defined as the depth at which the intensity of the radiation inside the material falls to 1/ e (about 37%) of its original value at (or more properly, just beneath) the surface.
Light writing is an emerging form of stop motion animation wherein still images captured using the technique known as light painting or light drawing are put in sequence thereby creating the optical illusion of movement for the viewer.
A 3D projection (or graphical projection) is a design technique used to display a three-dimensional (3D) object on a two-dimensional (2D) surface. These projections rely on visual perspective and aspect analysis to project a complex object for viewing capability on a simpler plane.
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The hyperfocal distance has a property called "consecutive depths of field", where a lens focused at an object whose distance from the lens is at the hyperfocal distance H will hold a depth of field from H/2 to infinity, if the lens is focused to H/2, the depth of field will be from H/3 to H; if the lens is then focused to H/3, the depth of ...