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20th-century classical music is art music that was written between the years 1901 and 2000, inclusive. Musical style diverged during the 20th century as it never had ...
The following Wikipedia articles deal with 20th-century music. Western art music. Main articles. 20th-century classical music; ...
Igor Stravinsky, one of the most important and influential composers of the twentieth century. Neoclassicism in music was a twentieth-century trend, particularly current in the interwar period, in which composers sought to return to aesthetic precepts associated with the broadly defined concept of "classicism", namely order, balance, clarity, economy, and emotional restraint.
In the 20th century, a line of development of musical progress continued; every composer still known today has contributed something to it. This old longing for progress and modernity – through conscious separation from tradition and convention – can, however, take on a fetish-like character in Western society, which is shaped by science and technology.
In music, modernism is an aesthetic stance underlying the period of change and development in musical language that occurred around the turn of the 20th century, a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that led to new ways of organizing and approaching harmonic, melodic, sonic, and rhythmic aspects of music, and changes in ...
Impressionism in music was a movement among various composers in Western classical music (mainly during the late 19th and early 20th centuries) whose music focuses on mood and atmosphere, "conveying the moods and emotions aroused by the subject rather than a detailed tone‐picture". [1] "
20th-century symphonies (46 C, 150 P) Pages in category "20th-century classical music" The following 200 pages are in this category, out of approximately 281 total.
Avant-garde music is music that is considered to be at the forefront of innovation in its field, with the term "avant-garde" implying a critique of existing aesthetic conventions, rejection of the status quo in favor of unique or original elements, and the idea of deliberately challenging or alienating audiences. [1]